The Medieval Development of Raby Castle

In 2022 the Castle Studies Trust (CST) funded a 3-D digital scan of Raby Castle, County Durham, which was used as a basis for Richard Annis, then of Archaeological Services Durham University, to do a full building survey. Jeremy Cunnington, Chair of Trustees for the CST, takes a look at what he found, focusing on the medieval development of this complicated building that has seen many changes over the centuries, but retains most of its medieval exterior.

Like most castles built and owned by the aristocracy there is no written evidence of what was built when: clues lie in architectural and design features. While exact dates cannot be given, a phasing of what order structures were built in can be shown, much of which agrees with previous scholarship on the castle which suggests that much of the building took place between 1350-88 by the Lords of Raby, Ralph and his son John Neville.

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Ground floor plan of Raby Castle. Copyright Archaeological Services, Durham University

A licence to crenellate was granted in 1378 when a lot of the buildings were already in place, as the licence indicates when it refers to “towers, houses and walls”.

The origins of the castle are obscure. The property was obviously substantial enough to be stocked with deer from the royal forest in the mid thirteenth century, suggesting originally an unfortified manor house. Anthony Emery describes Raby as “an awkward and inconvenient shape [that] can only have been determined by an earlier residence on the same low and ill-defended site”.

Raby’s principal purpose has always been residential rather than military with comfortable living taking precedence over defence. The early building seems to be a standard hall house design, with the hall running north to south and utilities and household staff quarters at the north and the lord’s quarters at the south end.

Phase One of the Works

The earliest surviving part of the castle is the Great Hall block. The main discussion relates to whether it was built in two phases or one, with the ground floor being built in the first half of the fourteenth century, and being added to later in the fourteenth century, as proposed by Malcolm Hislop, or was all one build, proposed by Anthony Emery. Evidence for the former is based on the window tracery on the ground floor which is said to date from before 1320.

Blocked first floor doorway in Great Hall block, copyright Archaeological Services, Durham University

Regardless, the main entrance from the courtyard into the Great Hall block from the courtyard was always on the ground floor in a similar position to the current one. The blocked doorway on the first floor was a much later insertion to access an eighteenth century classical loggia. There was no evidence of a staircase down and more importantly the door does not align with the floor of the original first floor hall. Based on an old nineteenth century plan, the entrance to the first floor hall seems to have been a newel (spiral) staircase where the current chapel staircase is now.

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Whenever the first floor was added, it was also when the majority of structures on the east side of the castle were built. Both the “Keep” and Mount Raskelf towers at the north end seem to have been built at the same time as the first floor of the great hall given the connecting passage from the first floor great hall to the Keep Tower and probably Mount Raskelf. Although not clear today with the re-arrangement in-fill of Mount Raskelf, both were of mirrored L-shaped design.

Ground floor of Mount Raskelf tower, where the original kitchen was. Copyright Archaeolgical Services, Durham University

The first kitchen was on the ground floor of Mount Raskelf tower. It is also here where there are indications (heavy ribbed vaulting and the plain doorway) that the ground floor of the tower could have been built earlier, but the report found no evidence of a building break.   

Equally it looks as though the chapel tower was built at the same time as the upper Great Hall, as it seems that the chapel’s west window, with no evidence of glazing, was intended to allow people in the upper hall to observe, or, given the height of the window above the floor, to listen to services.

Buck engraving from the south east showing what the original high status rooms of the Great Chamber and Bulmer’s Tower looked like

At the high status (south) end of the hall the accommodation differs from what it was like originally due to the destruction of the chamber block in the eighteenth century. The Buck engraving shows a square great chamber block which was connected to the moated en bec Bulmer Tower with an arched passage way at second floor level. It seems that it was for semi-private rooms for important guests while the Bulmer Tower was the lords’ truly private accommodation, which, in addition to the second floor link, had its own external stair and gate to the south terrace.

It also seems that the Bulmer Tower could date from the same time as the Mount Raskelf tower, as its basement, had the same vaulting as the northern tower according to Hodgson’s 1885 survey. Although no evidence of that now survives.

To the west of the Great Chamber block is Joan’s Tower which had two building phases. Its interior has been much re-arranged so there are no clues to its phasing but it is likely to have been at a similar time to the large expansion around the hall. The older part of the tower was square and had two floors.

Possible blocked postern gate, now in Mount Raskelf tower

Between the original Mount Raskelf and Chapel Towers may also have been the site of an old postern gate at the southern end of the Tower. Although now part of Mount Raskelf Tower the report also suggests that it wasn’t originally, based on later plans, the room in front of the putative gate was originally part of the gate passage and separate from Mount Raskelf . The elongated nature of the gate is also reminiscent of gates at the John Lewyn-designed Bolton Castle.

At some point this gate was blocked up and replaced by an entrance in the Chapel Tower.

Phase Two of the Works

Much of this work took place before the building of the famous Kitchen Tower which couldn’t have been before 1373. The survey shows that the Kitchen Tower was added after the addition of the two northern towers, given that the original kitchens were in the base of Mount Raskelf Tower, and the position of the kitchen which is slightly oblique to the axis of the hall range and northern towers and off centre between those towers. Richard Annis suggests that this is due to the owners wanting to have a service entrance at the south-east corner of the Kitchen Tower but still allow the kitchen’s dimensions to be similar to the kitchen at Durham Cathedral which was completed in 1372.

Roof of the John Lewyn kitchen, copyright Raby Estates

More works took place in the western part of the castle. This was probably when the castle took its current concentric form between 1381-88: the coat of arms on that extension shows the crest of John Neville who died in 1388 and Elizabeth Latimer who he married in 1381. The report assumes the Joan Tower extension, the building of Clifford’s Tower along with the (re) building of the Watch Tower and Western Range took place at this time, as they both extend beyond the original gatehouse to offer protection to the gatehouse or, just as likely, be an aesthetic way to create more space.

Remains of spiral staircase in Clifford’s Tower going from the first to third floors. Copyright Archaeological Services, Durham University

All these buildings have been greatly re-arranged but of them Clifford’s Tower is perhaps the most interesting, given that it was extra lodgings for high status guests. Originally, there was no way to access floors one to three from the ground floor. The only possible access to the first floor was from the West Range, but any evidence has been destroyed by later reworkings. Access to the higher floors seems to have only been possible from the first floor via a spiral stair in the south-east corner of the tower: remains of it were discovered during the survey. No other evidence survives of any other access. There might have been a service entrance from the north yard by a newel staircase and a putative mural passage in the small rooms but that is not certain.

That the (re) building of the Watch Tower dates to a similar period to Clifford’s Tower is based on the design of the two medieval windows in the east wall of the tower, which are paired lights with trefoiled heads identical to the surviving old windows in Clifford’s Tower.

Dating the building periods

It seems likely that, given that so many of the buildings were built simultaneously, which would require large resources, much of the building was carried out by John rather than his father Ralph. While the wealth and importance of the Nevilles of Raby was growing under Ralph thanks to a good marriage and royal service, it was under John that the family’s fortunes really took off. This was particularly thanks to royal service, especially in France from the 1350s onwards. This would have brought great rewards and also allowed him to be influenced by continental styles such as the en bec design of the Bulmer’s Tower. In the early 1370s following the unsuccessful expedition to Brittany he was rich enough to pay ransoms totalling £4,500 for some of his captured companions. It is also likely that it is after that time, when he was back in the north of England, and again from the late 1380s, after a brief stint in Gascony that he would have had the time to devote to the development of the castle and help turn it into the striking castle we see today.

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Feature image courtesy of Daniel Casson

Bibliography:

Emery, A, 1996. Greater Medieval Houses of England and Wales, 1300-1500 1: Northern England. Cambridge University Press

Hislop, M, 1992. The Castle of Ralph Fourth Baron Neville at Raby. Archaeologia Aeliana 5th series XX, 91-98.

—– 2007. John Lewyn of Durham: a Medieval Mason in Practice. British Archaeological Reports British Series 438. Oxford: BAR Publishing.

Hodgson, J, 1885. Raby in Three Chapters. Trans. Archit. & Archaeol. Soc. of Durham & Northumberland III, 1880-85, 113-127.

—– 1887. Raby. J. British Archaeological Assoc. 43, 307-27.

—– 1895. Raby in Three Chapters. Trans. Archit. & Archaeol. Soc. of Durham & Northumberland IV, 1890-95, 49-122

Raby Castle building survey: the report is now in

With the final report in the curator of Raby Castle, Julie Biddlecombe-Brown, gives an update on the building survey of the castle the Trust helped fund in 2022 and offers an opportunity for scholars to review it.

In 2022 the team at Raby Castle was fortunate to receive a grant from the Castle Studies Trust to digitally scan the castle exterior. Initially for research and interpretation, the scan has quickly proved to have multiple benefits and uses, and will undoubtedly have more to come. Alongside the scan, Raby (on behalf of Lord Barnard) commissioned an archaeological building survey, carried out by Durham University Archaeological Services and led by Senior Archaeologist Richard Annis, completed last year but updated in January 2024 when able to enter some previously inaccessible areas.

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There had been limited scholarly research into Raby Castle in the past; the most comprehensive history having been written by the 4th Duchess of Cleveland in 1870, drawing largely on antiquarian sources. As such, much of the story of the development of the castle has not been verified by current archaeological research methods, so alongside the survey of the fabric, by Durham University Archaeological Services, the castle team set to work exploring the archives and tracking down the sources used by antiquarians.  

The site has been occupied since before Domesday Book; the earliest record comes from the reign of Canute when Rabi was part of a gift offered by the King to the shrine of St Cuthbert in Durham. Although no trace of the early medieval structure is in evidence, it is from the later middle-ages, predominantly the 14th century when the castle was owned by the Neville family that the castle developed into the magnificent structure you see today, described by architectural historian Robert Billings in the 19th century as “the most perfect of our Northern Castles, retaining in the mass all its ancient features” … if only it did! Later developments from the 17th century onwards by the Vane family – later Barons Barnard (and even later the Earls of Darlington and Dukes of Cleveland) – who still own the castle today are well documented in the castle archives.

But apart from the castle itself, our sources for the Nevill period are limited. At some point, presumably after the attainder of Charles, 6th Earl of Westmorland for his part in the Rising of the North in 1569 or during the early years of ownership by the Vane family (purchased 1626) the documentary records for the earlier centuries of the castle were either taken away or destroyed.

One of the best early descriptions of the castle comes from the 1540s when it was still owned by the Nevilles. It was sources like this that we were keen to check against the findings of the recent survey. John Leland, in his survey of 1535-1543 wrote ….. 

“Raby is the largest castel of logginges in al the north cuntery, and is of a strong building, but not set other on hill or very strong ground.

As I enterid by a causey into it ther was a little stagne on the right hond: and in the first area were but 2. tours, one at each end as entres, and no other buildid;  yn the 2. area as in entering was a great gate of iren with a tour, 2. or 3. mo on the right hond.

Then were l the chief tours of the 3. court as in the hart of the castel. The haul and al the houses of offices be large and stateley; and in the haul I saw an incredible beame. .. The great chamber was exceedingly large, but now it fals rofid and devidid into 2 or 3 partes. I saw there a little chamber wherein was in windowed of colerid glass al the petigre of the Nevilles: but it is now taken down and glassid with clere glasse.

There is a touer in the castel having the mark of 2. capitale B from Berthram Bulmer.

There is another touer being the name of Jane, bastard sister to Henry the 4 and wife to Ralph Neville the first Erl of Westmerland.

There long 3. Parkes to Raby whereof 2. be plenished with to 92 dere. The Middle Park hath a lodge in it”. (Toulmin Smith, 1907).

Even with the later alterations to the castle, Leland’s description clearly gives an accurate depiction of surviving medieval structures but also lost features. Pleasingly stained glass windows depicting both Neville crests and those of the families connected by marriage were incorporated in the vast Barons’ Hall extension windows in Burns’s alterations in the 1840s.

The Neville Saltire. Armorial glass added to the Barons’ Hall in the 1840s. Copyright Raby Estates

Equally interesting is the fact that other antiquarian sources appear, thus far, to be generally accurate. Although no trace has been established (yet), it is likely that the earliest structure was an unfortified manor house in the 11th century from which the castle developed ‘organically’, particularly in the 14th century when in phases, a double hall, solar tower, great chamber, private or refuge tower, chapel, postern gate and towers for servants, retainers and guests were added, believed to be the work of the John Lewyn whose hand can be seen in so many north-eastern castles. The kitchen tower is particularly significant, with its high domed ceiling, clearly linking to Lewyn’s work for the Bishop of Durham in the Prior’s Kitchen, Durham Cathedral.

Raby’s remarkable domed ceiling in the Medieval Kitchen

Being in the Durham Palatinate, Raby’s License to Crenellate was granted by Bishop Hatfield in 1378, probably at the end of a phase of fortification which saw the structure emerge as a late contender for a somewhat irregular concentric castle.

How does the castle development relate to the habitation and family fortunes of the Nevilles in this early period?  Interestingly, periods of the castle’s development can be linked closely to social mobility, often brought about by advantageous marriages to wealthy heiresses. Around 1176 Isabella de Bulmer married Geoffrey Neville bringing vast land in Durham and Yorkshire to the family. Bulmer’s Tower still bears that family name, adorned with a carved lower case ‘b’ towards its highest points. Later, Elizabeth Latimer, second wife of John, 3rd Baron Neville KG, similarly brought her fortune to the family on her marriage in 1381 and her family coat of arms is proudly displayed on the Neville Gateway – the main entrance to the castle complex along with the Neville saltire and the emblem of the Order of the Garter, a very visible reminder of the position and prominence of the family.

Bulmer’s Tower from a 1723 engraving by Nathanial and Samuel Buck.

External events also had their impact on the development of the Neville stronghold. The wars with Scotland in the 14th century and particularly the Scottish raids south of the border resulted in increased security measures and fortification for those who could afford it. John Neville and his father Ralph had both played a part in the Battle of Neville’s Cross in nearby Durham (albeit John watching as a child):  A victory for English troops but a constant reminder of the need for defence.

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The ongoing research into the sources that provide context and meaning to the incremental development of the castle work hand in hand with the survey produced by Durham University Archaeological Services. It has been particularly pleasing to begin to explore some of the lost features, from the 3rd ‘court’ (courtyard) now located to the north of the Hall range to the puzzling configuration of spaces above the much-altered chapel gateway.  The myth of the earlier towers and particularly the more unusual shape of Bulmer’s Tower have been explored, along with an identification of a list of features lost to 18th and 19th century development.

At the time of writing, our initial plans to incorporate the model in a new introductory film at the castle are well underway. Film makers Heritage Interactive have incorporated views of the castle in the draft film due to be installed for the 2024 season and we’re currently looking at making more use of the model to create a more detailed approach to digitally recreating the phased development of the site. The scan has also been used by the castle’s quinquennial architects and castle team as part of the inspection and maintenance of the castle and master planning for future activity.

Inevitably, the survey report, model and associated research leave us with more tantalising questions, but the report pulls together and verifies a fascinating plethora of information which had previously been scattered, hearsay or completely unknown! Raby welcomes further scholarship and investigation, building on the work of Richard Annis, Durham University Archaeological Services and indeed Raby Castle’s Curation and Archives team. Thanks to all involved! Scholars wishing to consult the report should apply to the curator, via  admin at raby.co.uk

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