At the end of week two of the #LowtherMedievalCastle dig and project lead Sophie Ambler gives us the latest update.
At the end of week two, we’re half way through our excavation of Lowther Medieval Castle and Village, and revealing some intriguing results.
We now have four trenches open, three exploring the medieval castle earthwork and one across the routeway linking castle to village. There is still a great deal of work to be done, so much of what follows involves some speculation, and these findings are very much preliminary!
Trench One, on the western side of the castle earthwork, has revealed a small brick patio, bounded on the western edge with a course of cut stones. Miscellaneous finds, including a degraded iron doorhandle and pottery sherds, suggest that this might represent a phase of use concurrent with the nineteenth-century castle. Today’s Lowther Castle, the ruins of which overlook the site, was commissioned in 1806 by William, 1st Earl of Lonsdale. One theory is that the patio relates to the ‘Countess’s Stairs’, which once led up the steep slope from the River Lowther – perhaps towards the patio or a now-lost structure, which may have afforded a view across the river.
Trench Two, which cuts through the northern bank of the medieval castle earthwork, is starting to give us a real insight into how the fortification was constructed. We might expect with a ringwork castle for the bank to have been built using earth taken from an encircling ditch, but there is no evidence of a ditch at present. Instead, the bank appears to have been formed from material scoured from the immediate area: both the flat stretching north of the earthwork and the steep slope down to the River Lowther, a rich source of limestone. The bank appears to have been constructed in alternating layers of earth and stone. The team will continue working their way through the layers in this trench, in the hope of revealing more of the bank’s construction, and picking up any small finds that will provide us with dating evidence.
At the southern end of Trench Two, within the castle earthwork’s interior, is a metalled surface that may be the original medieval surface. This might tie into emerging discoveries in Trench Four.
Trench Four is our newest trench, opened over the entrance to the castle earthwork on its eastern side. Already this is beginning to yield evidence of what looks to be the same metalled surface evident in Trench Two. If so, this could suggest the original medieval metalled surface leading into the castle from the village and stretching across the floor of the ringwork. No evidence of this surface is evident so far in Trench One, either because it was destroyed by the intrusion of the nineteenth-century patio, or because the metalled surface did not cover the entirety of the castle interior. Within Trench Four, amidst a stone layer to the north of the metalled surface, is what might just be evidence of a post hole. Could this represent one side of the castle’s gateway? Watch this space!
Trench Three is another relatively recent trench taking in what is likely to be the routeway into the castle from the village, and what might be structures or plots lining the routeway. This has so far yielded two patches of disordered stone to the north of the routeway; one theory so far is that these represent demolition undertaken when the village was cleared in the seventeenth century.
All four trenches will hopefully have more to tell us as the team continues work over the second half of the project.
In an article that first appeared in Current Archaeology issue 360 (March 2020) Duncan Wright and Samuel Bromage discuss how the two research projects which they undertook at Laughton-en-le Morthen, with CST’s funds, has shown how the siting of castles was influenced by the older patterns of high-status activity in South Yorkshire.
Castles are perhaps the most iconic buildings of the medieval period, which for many are synonymous with feudal warfare and conflict. In spite of this popular perception, the idea that castles were mainly built for military purposes has been questioned for some time, and archaeologists now point to a number of reasons for their construction. In England, even fortifications thrown up in the wake of the Norman invasion are no longer seen purely as tools of martial conquest.
Instead, it is increasingly clear that earlier patterns of aristocratic life were important, and that the manorial residences of the Anglo-Saxon nobility in particular were chosen for the siting of early castles. Such targeting should not come as a surprise—the Conquest is understood as an exercise in elite regime change, which saw the near wholesale replacement of existing lords with incoming Norman tenants-in-chief. Yet, the way in which this transformation physically manifested is poorly understood. Few relevant sites have been subject to excavation, and where archaeological intervention has taken place it has often been piecemeal or of limited size. The Landscapes of Lordship project seeks to improve this picture, and recent work at Laughton-en-le-Morthen in South Yorkshire, funded by The Castle Studies Trust, offers a case study of archaeology’s potential to reveal more about this fundamental aspect of the Conquest.
Anglo Saxon Elements
Laughton today is a modestly-sized village in the Rotherham district, perched high on a limestone ridge which offers impressive views, especially westwards towards the Peak District. The historic core of Laughton is focussed around the parish church of All Saints and the adjacent remains of a motte and bailey castle. A visit to the former provides the first hints of Laughton’s early history; an elaborate 10th or 11th-century doorway is located in the church’s north wall, and a similarly-dated grave slab is built into the eastern exterior of the chancel. Inside the church, a triangular-headed opening, a distinctive pre-Conquest form, covers a piscina—a shallow basin used to wash communion vessels. These pieces of stonework indicate the presence of an earlier building at Laughton, decorative fragments of which have been reused in later phases of construction. It is almost certain that this structure too was a church, as stone was almost never used for secular building in early medieval England.
In 2005 archaeological excavations due east of All Saints also found evidence of pre-Conquest activity, in the form of a circular grain-drying kiln. A significant assemblage of 10th—11th-century pottery was recovered from the excavations, highly unusual finds given that South Yorkshire was largely aceramic at this time. Documentary sources help to provide some context for the excavated material and that found in the church. The Domesday Book records that, prior to the Conquest, Earl Edwin of Mercia had an ‘aula’ or hall at Laughton. Edwin was a leading noble, but also a leading protagonist against the Norman regime. Brother-in-law of Harold Godwinson, Edwin, together with his younger brother Morcar, raised an unsuccessful rebellion against William the Conqueror after the Battle of Hastings. Dispossessed of his extensive lands, Edwin was ambushed and killed three years later.
Exactly where Earl Edwin’s hall was located in Laughton has long been a mystery, with the popular belief that it lies under the earthworks of the castle. The Landscapes of Lordship project set out to test this idea, firstly through a scheme of topographic and geophysical survey. A detailed topographic model of the castle and the surrounding parts of the village was made using a drone, and earth resistance survey provided a plan of buried features from the bailey and an area of open ground to the south. The results from the combined techniques exceeded even the expectations of the team, identifying a host of important archaeological features. In the bailey, geophysics picked up a number of anomalies which were also detectable as a low earthwork—the size and shape of which is consistent with buildings, and probably represent the centre of Earl Edwin’s hall complex. To the south of the bailey, ditches seemed to form two sides of an enclosure, one side of which was interrupted by the apparent construction of the motte.
Although the project team were confident that these features were related to Edwin’s estate centre, it was decided that a targeted excavation would be best to confirm this conclusion. A second phase of work, also supported by the Castle Studies Trust, was instigated to ground truth some of these findings, with two trial trenches dug over the ditches to the south of the castle. Excavations uncovered a V-profile ditch with a distinctive narrow base, which would have served to locate a wooden palisade, supporting the premise that this was indeed Edwin’s compound. No datable material was recovered from the ditch but the material inside was notably clean and consistent, indicating that infilling had occurred in a short window or perhaps as a single event. Beyond the enclosed area, another more substantial ditch was found—this feature seemed to project southward from the castle and may be part of an enclosure surround the village, the form of which is preserved in the historic street plan.
Hunting the Hall
The Landscape of Lordship investigations, then, support the idea that Laughton was indeed the site of Earl Edwin’s ‘aula’ and other buildings, which were surrounded on all sides by a ditched enclosure enhanced with a palisade. Edwin and his entourage would have had exclusive use of the elaborate stone church, which topographic evidence demonstrates lay within its own small rectilinear churchyard. Outside of this high-status enclave, the find of a drying kiln suggests that Laughton acted as a point for the collection and processing of agricultural produce, potentially from an extensive area. Indeed, Laughton was the centre of a large territory incorporating several later parishes, the component settlements of which are now most discernible by their ‘Morthen’ place-names.
At some stage, Laughton’s lordly compound was radically transformed—the palisade fence was taken down and the ditches rapidly filled in; in their place was constructed a massive earthwork motte across the western edge of the enclosure. A kidney-shaped bailey incorporated the most important buildings including the hall, but it is impossible to tell without more investigation whether these were maintained or replaced with new structures. Probably around the same time the settlement to the east of castle and church was surrounded by a rectilinear enclosure, effectively forming an extensive outer bailey of the castle. Such arrangements are not uncommon in England but perhaps the most famous is at Pleshey in Essex, where a semi-circular bank and ditch encircles the village to the north of a motte and bailey castle.
While the nature of the archaeological evidence does not provide absolute dates, the most compelling context for the apparently rapid changes visible at Laughton is the protracted conquest and subduing of northern England in the years following the Norman invasion. Once annexed, Laughton and its estate were quickly subsumed into a large territory given to Roger de Busli who established a centre at Tickhill where a sizeable castle was erected. Given that the main seat of authority lay at Tickhill, it is unusual that Laughton too was furnished with a castle and that it continued to act as an administrative focus at least temporarily. The explanation for Laughton’s perpetuated importance undoubtedly lies in its pre-Conquest past. As an important residence of Earl Edwin, a foremost member of the Anglo-Saxon elite, Laughton’s appropriation was clearly an attempt to assume a recognised place of power. Yet, the drastic overhaul of the site also embodies a conspicuous act of conquest, physically destroying the complex of a central opponent to Norman rule. It is possible that the processes of castle construction in itself was its raison d’être, acting as a material ‘seal’ of new authority in the eleventh-century landscape. Indeed, this may help explain the paucity of medieval finds from the excavation—the castle itself having experienced little or no use, as its primary purpose had already been met by its very building.
The work by the Landscapes of Lordship project has provided a unique insight into Laughton’s past, showing the importance of older patterns of high-status activity in shaping the process of castle siting in South Yorkshire. The project team now intend to employ this approach to further sites and regions, allowing a new archaeology of elite residence, conquest, and regime change to be written.
Duncan W Wright was Senior Lecturer and Programme Leader of Archaeology and Heritage at Bishop Grosseteste University, Lincoln during the project and has recently been appointed Lecturer in Medieval Archaeology at Newcastle University
Samuel Bromage is a PhD researcher at the University of Sheffield. His doctoral thesis investigates the consequences of the Dissolution for urban development in Yorkshire.
In its latest round of grants the Castle Studies Trust funded an ambitious 3-D reconstruction of the 12th-century form of Lincoln Castle. Project lead, Jonathan Clark, explains the background to and aims of the project.
Lincoln Castle is one of England’s great castle complexes, developed during an initial intense period of use which straddles the Conquest through to the first half of the 13th century. The reconstruction builds on the work of the recent Lincoln Castle Revealed project, which involved the conservation and repair of the castle fabric and bailey buildings, the creation of a new exhibition space, and provided a wealth of opportunities for research-led archaeology. The results of the archaeological campaign – which encountered remains from every century from the 1st to the 20th – have greatly enriched the story of the site as a whole.
Archaeological investigations encountered elements of the Roman fortress and later Roman Upper City, the defensive enclosures of which appear to have shaped future land-use patterns well into the medieval period, including the form of the castle. The west and south Roman walls stood long into the medieval period; indeed, parts of the western defences still stand to the south of the west castle wall. The southwestern corner of the Roman fortress provided the western and southern extent of the castle bailey.
The main development of the castle in stone appears to be from the 1080s into the mid 12th century, a period which will be captured by the reconstruction. This campaign of work included the construction of East and West Gates, the stone enclosure of the bailey, the 12th-century Lucy Tower shell keep, the development of internal ranges against east and west curtain walls, adjacent to the gates, and a hitherto unknown South Gate. The South Gate position has been identified in the fabric of the south curtain wall, while its appearance has been confirmed by an early draft plan of Lincoln by John Speed, dated to 1607.
The investigations also provided valuable new information about the form and development of the main shell keep (the Lucy Tower) and the southeastern tower (known from the early 19th century onwards as the Observatory Tower). The Observatory Tower, which briefly upstaged the Lucy Tower during the Anarchy years of the early 12th century, was originally detached from the rest of the castle bailey by a substantial ditch. This ditch featured a stone revetment on the tower side which was carried up to encase the lower part of the mound on which the tower sits. The tower was subsequently remodelled to serve as gaol tower. More is now known of the Lucy Tower including the form of the roof, openings and the arrangement of rectangular chamber blocks, or turrets, to the east and west of it.
The remains of the main castle hall and various service buildings were also investigated as part of the Lincoln Castle Revealed project. Their positions are now accurately plotted within the castle bailey and these buildings are being added to the 3-D reconstruction.
A book on the archaeological discoveries from the project is forthcoming but the 3-D reconstruction will allow all to visualise an explore Lincoln Castle at its zenith. The reconstruction is being prepared by Pighill Archaeological Illustration advised by the Lincoln Castle Revealed archaeological team.