The six projects we’re funding this year

From 15 high quality applications we had to choose which ones we could fund. It certainly wasn’t an easy decision, but we have managed to support six different projects – the most we’ve supported in a single year – with a total of £22,000. You can learn more below, and if you would like to hear about the results when they are ready be sure to sign up to our newsletter.

Old Bolingbroke, Lincolnshire, England

Photo by David Hitchborne, licensed CC BY-SA 2.0.

Bolingbroke Castle was built by the Earl of Chester in the 1220s and Henry IV was born here in 1367. It is unclear how the Rout Yard and Dewy Hill were used, so Heritage Lincolnshire will carry out geophysical surveys at the castle to find out more about the site.

Pembroke, Pembrokeshire, Wales

Photo by ‘Jez‘, licensed CC BY-SA-NC-ND 2.0.

Founded in 1093, Pembroke is the oldest castle out of this year’s projects. Rebuilt by William Marshall, one of the most famous knight of his age, the castle was also the birthplace of Henry VII. Neil Ludlow and James Meek’s project will excavate in the outer ward to find out more about a late medieval hall. We also funded a geophysical survey at the castle in 2016.

Dig It!, castles of southern Scotland

With funding from the Castle Studies Trust Dig It! will be producing a series of eight videos exploring castles in southern Scotland, and sharing them with an online audience. By making it easier to access information about these important historic sites through YouTube and Wikipedia the project aims to inspire the next generation of castle enthusiasts!

Keith Marischal, East Lothian, Scotland

The Castle of Keith belonged to the powerful Keith family. The castle has since been demolished, with some parts built into Keith Marischal House which now stands on the site. Miles Kerr-Peterson and and Rose Geophysical Consultants will be carrying out a geophysical survey to search for the castle’s lost tower and great hall.

Laughton-en-le-Morthen, South Yorkshire, England

The castle is undocumented in medieval sources, but the earthworks of the motte-and-bailey castle are impressive: the motte itself is 9m tall. To find out more about Laughton-en-le-Morthen Castle, Duncan Wright will be carrying out a geophysical and aerial survey.

Ruthin, Denbighshire, Wales

Photo by Eirian Evans, licensed under a CC BY-SA 2.0 licence.

First documented in 1277, Ruthin Castle was controlled by Reginald de Grey in 1282. This once great castle is a ruin today and much in need of interpretation. To help with this, Chris Jones-Jenkins will create a digital reconstruction of Ruthin. Chris also worked on the reconstruction of Holt Castle, which was built around the same time some 18 miles to the east.

Stay in touch!

We will have updates from these projects throughout the year. Be sure to subscribe to our newsletter so you don’t miss out.

Subscribe to our mailing list

* indicates required

4 women who made their mark on castles

The Barons’ War and Lady Nicolaa de la Haye

King John’s reign is notorious for his disagreements with his barons, leading to the signing of Magna Carta, civil war, and an attempt to Prince Louis of France on the throne. In 1215 Nicolaa de la Haye became castellan of Lincoln Castle, a title previously held by her father. She held the castle for John, and established a truce with one of the rebellious barons when they invaded the town of Lincoln.

King John visited Lincoln in 1216 and Nicolaa asked the king to be relieved of guardianship of the castle, saying that she was too old and wanted to be unburdened by the duty. John valued her staunch support, and declined her request. In fact, on 18 October he made Nicolaa sheriff of Lincolnshire – it was very unusual for a women to have such a position of direct power at the time, and shows how important Nicolaa was to the king’s efforts.

The battle of Lincoln (1217) from Matthew Paris’ Chronica Majora

Though John died on 19 October 1216, the war continued with his supporters fighting for his son, the young King Henry III, while the rebellious barons continued to back the French prince. The war came to a head at the battle of Lincoln on 20 May 1217, resulting in a royalist victory which turned the tide in favour of Henry III. Nicolaa was instrumental in defending Lincoln Castle, but was removed as sheriff just a few days later.

Alice Knyvet stands up to the king

Buckenham Castle lays close to the village of New Buckenham in Norfolk. The circular keep, remains of which are the only surviving building works of the castle, is the earliest known in England dating to c. 1145-50. The castle was demolished in the 1640s by Sir Philip Knyvet, perhaps as a request from Parliament.

The Easter Sepulchre at St Martin’s church in New Buckenham reputedly once contained the remains of Alice Knyvet. Photo by Evelyn Simak, licensed CC BY-SA 2.0.

Contained in the Patent Rolls of King Edward IV’s reign is a story detailing the defence of Bokenham Castle by Alice Knyvet. In 1461, Edward IV claimed Bokenham Castle by virtue of legal inquisition. The castle was, at the time, owned and occupied by John and Alice Knyvet, who did not easily relinquish their estate. The king sent nine commissioners and an escheator to take the castle, possibly knowing that John was away and the castle would be easily handed over.

However, as they approach the outer ward, Alice appeared in the gatehouse tower with the drawbridge raised who kept the castle ‘with slings, parveises, fagots, timber, and other armaments of war’ (CPR, 1461-7, p. 67). We are told that Alice along with William Toby of Old Bokenham, gentleman, and fifty other persons were ‘armed with swords, glaives, bows and arrows’. Alice addressed the commissioners thus:

Maister Twyer ye be a Justice of the Peace. I require you to keep the peace, for I will not leave possession of this castle to die therefor and if ye being to break the peace or make any war to get the place of me, I shall defend me, for liever I had in such wise to die than to be slain when my husband cometh home, for he charged me to keep it (CPR, 1461-7, p. 67).

The narrative described in the Patent Rolls is telling for a number of reasons. Fistly, Alice does not appear to hesitate when royal officials approached her castle demanding that they legally had the right to seize it. Secondly, the fact that the royal commission waited until Alice husband, John, left speaks to their utter miscalculation of her authority and ability to militarily command the battlements. Ultimately, no actual physical fight took place, but Alice’s strategic placement of armed people on the towers meant the castle, at least, appeared to be well defended.

Queen Mary takes control

James II and Queen Mary

Though little remains of Roxburgh, in the Middle Ages it was one of the most important castles in Scotland. King David I ruled Scotland from here and it changed hands several times during the wars between England and Scotland. In 1460 King James II besieged the English-held Roxburgh in an attempt to capture the castle. He died when a cannon he was stood next to exploded. The gun might have been fired to mark Queen Mary’s arrival.

Mary took charge of the siege and summoned her young son to be present when the castle fell. The Scots captured the castle they chose to demolish it. James II’s prize had come at too high a price. The 9-year-old James III was too young to rule on his own so Mary was the power behind the throne for the next few years until her death in 1463.

Lady Anne Clifford and Brougham, Brough, and Appleby

Lady Anne Clifford with her family

By the time the English Civil War broke out in 1641, many castles were neglected or downright ruinous. While some were pressed into action during the conflict, many suffered further damage from siege or slighting.

Lady Anne Clifford had spent years trying to secure her inheritance which included a number of castles. In Westmorland, her castles at Appleby and Brougham had been besieged and damaged during the war, as was the case with Skipton in Yorkshire. From 1650 Anne used her considerable well to repair and restore these castles, as well as Brough which was gutted by fire in 1521. She established Brougham Castle as her main residence and created a garden on the site of the adjacent Roman fort. It is likely that without Anne’s intervention these historic sites would have slipped further into decay and may have become lost to us.

Appleby Castle: Gracious Living on the Wild Frontier

This guest post was written by Erik Matthews, Fieldwork Officer for the Architectural and Archaeological Society of Durham and Northumberland.

Appleby Castle in Cumbria (formerly Westmoreland) is much less well known and certainly much less studied than its neighbours at Brougham, Brough or Carlisle. Yet it is substantially intact with masonry elements from at least three periods (12th, 13th and late 15th centuries) together with an extensive area of possibly earlier earthworks.

The castle’s early history is tied to the kings of England: it is mentioned in the  Pipe Roll of King Henry I in 1129-1130 and then it was seized by King Henry II as part of his re-occupation of the area from the Scots in 1157. Later the castle was held by the Viponts in the 13th century and then by the Clifford’s in the 14th and 15th centuries.

Along with Skipton, Pendragon, Brough and Brougham it formed a major element of the former Clifford landholding in the North West in the later medieval and early post-medieval periods. As such there are clear parallels between the 12th-century keep “Caesar’s Tower” and the great tower at Brough as well as between the late 15th-century hall range and the work of the Henry Clifford the 1st Earl of Cumberland at Skipton.

The 12th-century great tower. Photo ©Erik Matthews.

The site has recently re-opened after a protracted period of closure since the 1990s and is the centrepiece of a Heritage Action Zone recently designated by Historic England as a means of attracting investment into the area following on from the devastating floods of winter 2015. This gives a welcome opportunity to undertake a fresh study of the site which was last seriously examined by the Royal Commission on the Historical Monuments of England back in the 1930s. Further study of “Caesar’s Tower” is particularly over-due as recent research into similar structures in the UK, Ireland and France have changed our understanding of them.[1]

Historic England are funding consolidation works on “Caesar’s Tower” and the associated curtain wall. It is hoped this will include a photogrammetric survey of and a geophysical survey of the area between the curtain wall, the tower, and the later 15th-century hall range. Further detailed building recording surveys may be possible in the long term to disentangle the later 15th-century and mid 17th-century work associated with Lady Anne Clifford from earlier work within the Hall. The presence of what appears to be the remains of a postern gate with portcullis groove within the north wall and a curious bottle shaped tower at the western end give a hint of what might readily be identified.

Part of the castle earthworks. Photo ©Erik Matthews.

The curtain wall is of a characteristic early form with a low un-crennelated wall walk without towers. Rather than curving, it has angular changes of alignment and may have been built at the same time as the keep. It is unclear how the keep was arranged inside when it was built, but a drain from a sink or laver at third floor indicates there may have been a chapel or oratory. We also are uncertain where the original entrance was. The two earthwork baileys run roughly north to south and north-west to south-east and cover a large area. Investigation may reveal evidence of earlier structures from amongst the ephemeral remains of more recent activity.

This section of the curtain wall may have been built at the same time as the keep on the right. Photo ©Erik Matthews.

The project if successful holds out the prospect of answering a whole range of interesting questions about this fascinating and presently poorly understood site.

[1]  “Some thoughts on the use of the Anglo Norman Donjon” Pamela Marshall. Pgs 159-176. Castles and the Anglo Norman World. John Davies, Angela Riley, JM Leveque, Charlotte Lepiche eds. Oxbow 2016.

Another Bumper Crop of Applications for the Castle Studies Trust to Consider

The deadline for grant applications passed on 15th December. We’re going through the various projects now. Altogether the 15 projects, coming from all parts of Britain, are asking for over £63,000. They cover not only a wide period of history but also a wide range of topics. For a little more detail, here are the applications we’ve received:

  • Caldicot, Wales – a geophysical survey of the scheduled area of Caldicot Castle using magnetometry, resistivity, and Ground Penetrating Radar (GPR)
  • Dig It! 2017 Castles of South Scotland – enhancing public understanding and knowledge of some castles in southern Scotland, their purpose, their history and their relevance, particularly the lesser-known and least visited sites.
  • Dunyvaig, Scotland – co-funding a project to provide better understanding of the landscape context of the castle by conducting detailed topographic and geophysical surveys and carrying out trial trenching to gain key information regarding the preservation and the depth of the buried deposits.
  • Keith Marischal, Scotland – geophysical survey at Keith Marischal House, in search of a lost medieval castle and renaissance palace with a great hall reputed to be second in size to that of Stirling’s.
  • Lathom, England – excavations to find out the true size of Lathom Castle. You may recognised them from 2017’s grants when we funded analysis of masonry recovered from excavations between 1997 and 2009.
  • Laughton-en-le-Mortain, England  comprehensive archaeological investigation of the motte and bailey castle of Laughton-en-le-Morthen, South Yorkshire and its surrounding landscape.
  • Loch Kinord, Castle Island, Scotland – radiocarbon dating an early island castle: Castle Island, Loch Kinord, Aberdeenshire
  • Old Bolingbroke, England – revealing the history of Old Bolingbroke’s Castles: What can researching Bolingbroke Castle’s Route Yard and Dewy Hill tell us about Bolingbroke Castle?
  • Pembroke, Wales – test trenches at one of Wales’ greatest castles to confirm the site of the late medieval structure revealed in the geophysical survey funded by the CST in 2016.
  • Ruthin Denbighshire – co-funding reconstruction drawing of this great Welsh Edwardian fortress. Ruthin was the town where Owain Glyndwr’s rebellion against English rule started.
  • Sheffield, England – record and examine the architectural fragments stored on the site of the castle found in previous excavations.
  • Skipton, England – an archaeological/architectural survey will be produced of the gate structures and flanking round towers of the inner ward of Skipton Castle.
  • Snodhill, England – geophysical survey and excavations to answer some key remaining questions of this important Welsh border fortress re: the castle namely where was the entrance and function of the North Tower.

The applications have been sent to our expert assessors who will go over them. You can see how the assessment process works in one of our earlier blogs.

Are fantasy castles real fighters?

This post was written by David C. Weinczok.

For many people not fortunate enough to grow up with a castle in their proverbial backyard (like me), books, video games, films and television shows are the first places they will encounter castles. Such images often stay with people for life and inform their view of what the medieval world would have looked like. I see this as an asset for historians and heritage professionals rather than a hindrance – sure, pop culture doesn’t have a great track record with getting the historical details right, but if it sparks an interest in castles where one might never have arisen that, to me, can only be a good thing.

I’m using the world of fantasy and fictional castles as way to discuss the real deal in a talk for Previously…Scotland’s History Festival on Nov.19th in Edinburgh. My aim is to put the defences of famous fictional castles to the test – would, for instance, Mickey be able to withstand a siege if he holed up in the Disney castle? Do the fortresses of Game of Thrones actually make sense or are they all show? How hard would it be to rescue a princess from the Super Mario castles?

To find out, I’m applying several criteria to each that can just as easily be used to assess the battle-readiness of real castles. For instance, are their turrets, crenels and wall-walks actually capable of bolstering their defence, or are they in fact just for aesthetic flair? Is their architecture specifically tailored to the demands of their environments? Are there multiple layers of defence, or do all hopes rest on a single strongpoint?

Let’s take Game of Thrones’ Winterfell as an example. I hate to challenge the might of a castle that has famously been untaken for ‘thousands of years’, but for that to be the case they can’t have had a single decent winter in millennia. Take a look at many of the tower roofs in the image below. Notice anything peculiar about their design?

Image ©HBO.

That’s right – a castle specifically designed to resists winter employs flat roofs on many of its towers. Why is this a problem? Because those roofs need to bear weight, and accumulated snow is immensely heavy. So, unless the towers are upheld by some ancient magic, their roofs will come crashing down with the first heavy snowfall. Perhaps the name ‘Winterfell’ is actually an architect’s very reasonable warning about the weather!

The first castles I probably saw outside of Alan Lee’s illustrated version of The Lord of the Rings were the castles in the original Super Mario. Now, I know they weren’t designed to be overly scrutinised by nitpickers like me and the graphical limitations of early 1990s video games meant simplicity was key. But let’s take a look.

Image ©Nintendo

Credit where credit is due for having functional wall walks with crenellations and merlons that are actually high enough to fully shelter an archer. But we really need to talk about those windows. As a general rule of thumb, more windows means less defensive capability, and the larger the window the further that defence is compromised. The windows on Super Mario’s castles are clearly exaggerated, but it’s not hard to find real-life parallels. Take one of Scotland’s most famous castles, Kilchurn on the banks of Loch Awe.

Image ©David C. Weinczok

Often thought of by visitors as an impregnable fortress, its western face leaves much to be desired. Kilchurn was never, in fact, a true fighting fortress but more of a domestic seat with castellated features. No stronghold hoping to stand against a determined foe would dare give them so many openings through which to fire and breach.

These are just a few examples of what I’ll be discussing, and there will be some surprising winners as well as losers out of it. It is my hope that talks like this will get people who have already been exposed to castles through pop culture to think more critically about them, all while having a bit of fun.

David is a writer, presenter, and castle hunter, and you can find more from him on Twitter, Instagram, and his website.

Piecing together Lathom Castle

I’d heard of Lathom House, but the familiar reconstruction of this principal monument of Tudor England is a Victorian engraving that may bear little relation to historical fact. Those engravers never saw it, as it had long gone by then. No drawings survive, but enigmatic descriptions of nine (or was it eighteen?) towers, the space they occupied now thin air and branches.

Lathom House is in a garden – or rather, here lay its site. This garth is isolated, bounded by a sandstone wall and a ditch in a flat Lancashire landscape that in winter stretches the concept of fallow into a deeper somnolence. In summer its shrubs and trees burst into colour and scent, and you may be caught off-guard by the cry of its peacock strutting in the remnants of a nineteenth-century planting scheme. There is no sign at all of the medieval house, but for the occasional scrape of a trowel blade on revealed cobbles and footings.

Fifty yards from this lost garden is the rump of the last Lathom House, built in the 1720s to the designs of Giacomo Leoni. After two centuries, this Palladian mansion was demolished in 1925–9. It had provided a replacement for a house that was also ravaged – but not totally destroyed – during the civil war, and whose central ‘Eagle Tower’ was the principal monument of the Stanley family, kingmakers at Bosworth Field in 1485. After the battle brought Henry VII (1485–1509) to the throne they built to the scale expected for a residence of Margaret Beaufort as the Lancastrian king’s mother, and Thomas Stanley, the last King of Mann who presided over Lancashire and Cheshire with a view across the Irish Sea. Lathom was so grand it was termed ‘The Northern Court’ in 1572, with the claim Henry VII, who visited in 1495, had based Richmond Palace on its turreted skyline. It has recently been demonstrated that the king left his marriage bed here, having executed William Stanley his Lord Chamberlain on charges of plotting. It inspired the basis of a school of joinery centered on Lathom. Much of this furniture survived the civil war, as heavy beds were propped against the great gates against cannon fire, whereupon the chattels escaped with the family.

The comparison of Lathom and Richmond is hard to substantiate, and so completely lost was this grand house that its location has been hotly disputed. In the last twenty years, the occasional archaeological investigations in the garden and at the dilapidated remains of the Georgian house have revealed a wide array of footings and salvaged cut stones. The Lathom Park Trust and latterly the Kingmaker 1485 project led by Steve Baldwin with Dr Rob Philpott, Dr Clea Paine and George Luke have championed a deeper understanding of the site and brought public access and involvement in archaeological discovery, training and recording.

The involvement of diverse groups at separate digs has resulted in the need for a collation and analysis of discoveries, which have not hitherto been catalogued in one place nor attributed with an original context. The Castle Studies Trust funded a project to analyse the scattered masonry and identify it as far as possible through comparative evidence. After several months of looking, measuring, thinking, discussing and researching, the results have set the diverse stones within a timescale stretching from the fifteenth century – some perhaps earlier – to the Jacobean age, exactly as expected if they were the remains of Lathom House.

The most diagnostic features include chimney caps, early seventeenth-century window mullions and sills, carved stones with oak leaves compatible with the Stanley arms, and the tantalising possibility of a medieval memorial slab. These offer a clear picture of the waves of construction, which peak at the era of Bosworth, and the turn of the seventeenth century. The latter may tally with another royal visit, that of James I in 1617.

I write this ahead of giving a talk on the findings to the local community. The biggest realisation is that Lathom’s Eagle Tower was almost certainly based on the polygonal Eagle Tower at Caernarfon – Edward I’s fortress – for which the Stanleys became responsible in the 1480s just at the time they rebuilt Lathom to represent their role as kingmakers. The internal area of this building and the number of stories tally closely with Caernarfon, allowing us to begin to reconstruct lost Lathom and – as importantly – appreciate its significance in the minds of those who knew it.

We don’t yet have the full picture, but understanding the masonry undoubtedly establishes the building blocks for the years of archaeology that lie ahead.

Jonathan Foyle will be speaking about his work at Lathom on Wednesday 25th October.

Clifford: investigating one of England’s oldest castles

The Castle Studies Trust’s supporters and trustees, joined by castle experts from far and wide, were hosted by Keith Hill, owner of Clifford Castle, Herefordshire, to hear the results of the recent work funded by the Trust at the castle.

Clifford Castle is a large motte with remains of a stone castle on top, a vast bailey with elaborate stone gatehouse on the one side, and a mysterious earthwork known as the hornwork on the other, standing beside the river Wye. Originally founded in the first years after the Norman conquest Clifford became home to a baronial family whose wealth allowed them to erect the substantial stone structures now visible. The new work led by archaeologist Tim Hoverd and Nigel Barker has made it possible to confirm that these were almost certainly built at the end of the twelfth or in the first decades of the thirteenth century.

It was suggested that what has always been described as a great hall was probably a chamber block over a basement, reinforced by comparison with the structure at nearby Grosmont castle. Excavation recovered a door as well as the end wall of this block, which turned out to be very close to the external curtain wall. Pottery found on the motte confirmed a date of late twelfth/early thirteenth century. The arrow loops in the surviving mural tower are of the same era. The curtain wall also contains a large number of latrine chutes discharging down the motte side facing the long-abandoned earthwork on the far side and cut off by a man-made ditch. What it was remains a subject for speculation, as does the presence of buildings in the outer ward, because a post-medieval orchard was found to have removed most of the evidence.

The Trust is delighted that its funding has significantly improved our understanding of an important castle of the Welsh Marches. A full report will be made in due course.

Conclusions from an almost-thesis

Research on castles has outgrown the walls of architecture, sprung from the rubbly tangle of archaeology and taken flight from the pages of law texts, charters and literary exposition. In the hands of an adept writer, these are small bumps on the road to timely completion. Presently, however, I find myself in the camp of the almost-complete thesis writers (PhD fourth-yearers: here is fellowship!). It is a credit to castle studies that there is so much to think and write about and, perhaps, get lost in. This post shares some of the most interesting conclusions from my work looking at early stone castles in two polities in medieval Scotland, the Earldom of Orkney and the Lordship of Galloway. Among the themes I examined was the transition from timber to stone architecture, the relationship of castle to landscape and the political context for castle construction in these areas.

Why Orkney and Galloway? To begin with, we cannot be certain why castles appeared in non-‘feudal’ Orkney in the first place. Secondly, one of Orkney’s early castle sites, according to accepted wisdom, is the prototype for a larger group of early castle sites in the earldom – and has influenced larger debates on castles in Scotland more generally. Cubbie Roo’s Castle, this foremost plank of Orcadian castellar wisdom is, I believe, a little younger than widely believed. Nevertheless, the evidence suggests Orkney was probably home to a stone castle founded around the middle of the 12th century, decidedly early for this part of the world.

Figure 1. View of site of Cubbie Roo’s Castle, Wyre, Orkney, in the distance atop the highest hill on the small island. The farm on the right may represent the 12th-century home farm. The ruined building on the left in the distance is the chapel site. ©William Wyeth.

If the castle site (but not the surviving architecture) is genuine, then the attendant landscape must be examined too, for Cubbie Roo’s and other Orcadian castles. Following a conventional model of castle as the centre of lordship, one would expect to find churches and important farm sites close to suspected or documented castle sites. This was simply not the case in Orkney. Cubbie Roo’s and the other castle sites I examined were, on present (chiefly place-name) evidence, sited on marginal lands of indifferent quality. Some preserved evidence of associated chapel sites, which fits with the conventional model of early castellar lordship.

The disconnect between terrestrial wealth and castle location opened three possibilities about the origin and siting of castles: firstly, were these defensive sites? If defence included a consistent grasp of the surrounding area, including major seaways through the Earldom, then the answer is no. Secondly, were these sites connected to maritime wealth? It is entirely plausible: recent research has demonstrated the wealth of the earldom derived massive fisheries exploitation. Thirdly, were these sites connected to ‘new’ arrivals to the Earldom? The political upheavals in the Kingdom of Norway (to which Orkney belonged) saw magnates appear in the Earldom with no obvious familial connection. The lack of obvious relationship with good farming land may be taken to suggest the castles were built on land acquired more for the purposes of castle building (and architectural showmanship) and maritime exploitation than the inherent wealth of the soil. The new men’s power derived from proximity to the Earl, not a direct ancestral claim to a portion of Orkney’s economic output. Orkney’s earliest castles, whatever their form, were the product and reflection of a shift in how comital wealth and power operated.

Figure 2. View from the top of Cubbie Roo’s Castle, overlooking the possible home farm. The island in the distance on the right (Egilsay) is home to the Church of St Magnus (visible by its distinctive round tower mid-way along the island’s profile); the cult of St Magnus was instrumental in the formation of distinctly Orcadian political identity in the medieval period. ©William Wyeth.

Galloway’s castles present a different challenge; though as a group they are more numerous than their Orcadian counterparts, the evidence for them is drastically more erratic. The exquisite (and displaced) Loch Doon Castle is more clearly understood than the hummocky mound of Castledykes outside Kirkcudbright, for example. On a cursory examination of both sites’ landscapes shows that Castledykes is much easier to understand. Kirkcudbright was the centre of the powerful Lordship of Galloway.  Its hinterlands feature no fewer than three monastic foundations by the Lords, and the probable extent of demesne estate concentration in the area around Kirkcudbright is one of the highest in the Lordship.

What of Loch Doon Castle? Any modern visitor will appreciate the eponymous loch is remote and difficult to access from the big towns of Scotland’s south-west. However, it was originally built on an island in the Loch and later dismantled and reconstructed on the shore. It initially sat on a substantial route-way between the Glenken in Galloway – another demesne area of the Lords – and the Scottish coastal royal burgh and castle of Ayr. Another route south of Loch Doon offered access to the southern area of Carrick and, via the River Cree, the Wigtownshire portion of the Lordship of Galloway, with its probable administrative centre at Cruggleton Castle. Though its landscape is presently dominated by fishing holiday cottages and forestry, place-name evidence suggests in the medieval period the area was exploited for its pastoral suitability, and analogous documentary evidence from monastic sources hint at mineral wealth too. Doubtless Loch Doon Castle also formed an upland centre in Carrick in counterpart to the lowland, maritime-oriented centre at Turnberry Castle (also surveyed during this project).

Figure 3. Loch Doon Castle, view from wall-top towards loch. The castle was moved stone-by-stone before the construction of damming schemes in the mid-20th century. It was originally located on the partially submerged island in the loch visible here. ©William Wyeth.

Lastly, an overview for all of Scotland. A small, prefacing section of my thesis examined the monuments record for all possible castle sites in Scotland, including the sites above and less conventional secular power centres in the 12th-14th centuries – palaces, enclosures, crannogs (artificial islands in lochs), duns and brochs. A growing body of evidence in Scotland suggests many sites typically understood as prehistoric (chiefly the last three aforementioned categories of sites) were re-occupied during the broad medieval period. One conclusion from this country-level study suggested that there were more medieval power centres (e.g. bearing evidence for occupation) per square kilometre in the western counties of Scotland than the east. This likely reflects the underlying patterns of early medieval lordship in Scotland over which the culture of castles was overlain. This may act as another, belated, nail in the coffin of the military-architecture thesis of castle studies in Scotland.

The framework of understanding castles through landscape as much as architecture and archaeology is one I hope to apply more widely to Scotland and, as I engage more fully with English castle studies in my new job, in the wider medieval world.

William Wyeth – Properties historian, English Heritage; PhD candidate, University of Stirling & Historic Environment Scotland.

Bodiam Castle and the exploration of space

Bodiam Castle is well known in castle studies; whether it was a fortified structure or built to display the status of the owner. This debate has been explored elsewhere, particularly by Professor Matthew Johnson[1]. Traditionally the building has been considered from the exterior, with a few notable exceptions[2], further until recently only ground floor plans of the building have existed. As part of the Lived Experience in the Later Middle Ages project we undertook a survey of the building and created plans of each floor level and some elevation drawings[3]. To undertake the survey we used a Leica reflectorless Total Station linked to download in real time straight into AutoCAD using the software TheoLT. This allowed us to view the survey data as work progressed and to record the building in three dimensions (3D).

Having the results of the building recorded in 3D allowed us to start thinking about the space beyond the traditional drawings, we had generated and we could think about the building in a number of new ways. The 3D data was used as a basis for creating models of the building in the medieval period; rebuilding the fallen walls, reroofing the apartments, and furnishing the rooms. These models can be used to create beautiful illustrations of the spaces, but they can also be used to tell us about living in those spaces.

A visualisation of part of the private apartments at Bodiam Castle

This can be seen when considering the private apartments on the eastern elevation. Previous interpretations[4] see them described as comparable; they lie one above the other and appear to consist of a similar layout of rooms; an unheated outer chamber, an inner chamber with fireplace and window seat, and a further inner chamber with fireplace. However, in 3D they begin to look very different; the roof converts the upper apartment; making the space much more open and the slightly different arragements of windows on the curtain wall combined with the position of the Great Hall will affect the outer chambers.

Comparison between the upper and lower apartments when considered in three dimensions

We can also use the models to consider the lighting of the spaces over the course of a day. A lighting analysis demonstrates how dark these rooms are and how they change over the course of the day.

A lighting analysis of Bodiam Castle showing the changing conditions in the upper apartments over the course of the day

Finally, in furnishing the rooms we can consider movement through the spaces. Floor plan can allow us to see how spaces connect and their size. But in furnishing the rooms the movement through that space can be considered within the frame of reference of an inhabited building.

A visualisation showing a fully furnished room, a different space to negotiate than the empty spaces depicted in floor plans

These examples show just some of the ways to consider how we are thinking about the use of space; in this case at Bodiam Castle and how it is beginning to raise new thoughts on the experience of living within the building.

[1] These drawings and the results of the project have recently been published Johnson 2017 available
[2] Faulkner, P. A. (1963). Castle Planning in the fourteenth century. The Archaeological Journal, 120, 215–35.
Simpson, W. D. (1931). The Moated Homestead, Church and Castle of Bodiam. The Sussex Archaeological Collections, 72, 69–99.
[3] Johnson, M. H. (2017). Lived Experience in the Later Middle Ages. (M. H. Johnson, Ed.). St Andrews: Highfield Press.
[4] Faulkner, P. A. (1975). Domestic planning from the twelfth to the fourteenth centuries. In J. T. Smith, P. A. Faulkner, & A. Emery (Eds.), Medieval Domestic Architecture (Vol. 115, pp. 84–117). Leeds: The Royal Archaeological Institute.
Goodall, J. (2011). The English Castle. London: Yale University Press.
Nairn, I., & Pevsner, N. (1965). The Buildings of England: Sussex. London: Penguin Books.

A Study of Hay Castle

This guest post was written by Mari Fforde.

Hay Castle, in Hay-on-Wye, is undergoing a major restoration which will result in an exciting visitor destination and a centre for culture and arts. The Heritage Lottery Fund granted nearly £5 million toward the project. So far, a substantial amount of archaeology has been undertaken to help inform planning applications, conservation management plans and structural engineering solutions.

The site, a Scheduled Ancient Monument, embodies an astonishing array of architecture, including a Norman keep, an important medieval gateway, a Grade I listed Jacobean mansion and later Victorian and Edwardian additions. The keep was probably incorporated into a late medieval domestic building and then this was retained within the double-pile mansion built in the first half of the 17th century. The mansion was itself subjected to alterations in the 18th and 19th centuries and twice partly gutted by fire in the 20th century. The gate and curtain wall were retained and appear to have been repaired as garden features.

Fifteen archaeological test pits have enhanced our knowledge of the site in a variety of ways. Digs were undertaken within the derelict mansion to establish where the new lift could be situated. Just below the surface runs a medieval stone structure, at least 3.5 metres wide running along the north face of the mansion. The angle and relationship with the keep suggests that this is the 13th century curtain wall. A glimpse of the underground stonework will remain visible in the restored mansion.

Investigations also revealed that much of the site comprises about two meters of infill. Two boreholes were drilled giving results of approximately 2–3 metres of made up ground, 2–3 metres of sub soil and then at 7 metres the Raglan mudstone bedrock. It is thought that this infill was brought in when the Jacobean mansion was constructed, thus heightening it from the lower medieval ground level.

On the north face of the keep, facing town, a test pit revealed a wall of tufa. Large regular well-cut blocks measuring around 40cm long by 20cm high appeared to extend below the level of excavation. In his report, lead archaeologist Peter Dorling stated: “This finding appears to support the interpretation of the tower as the original castle gateway. The west side of the tufa forms a straight edge, which at this level was perhaps associated with a seating for a bridge/drawbridge”. This is an exciting find as freshly quarried tufa around a gateway arch would have been very striking and certainly would have had a strong visual impact.

Volunteers from the community have helped on a dozen or so of the digs. The Hay History Group and the Young Archaeologists Club have taken part. Further archaeological exploration will be undertaken, mainly in the derelict mansion to establish locations of new footings. In addition, it is hoped that ongoing archaeology will help determine the existence of the earlier gateway within the keep.

Construction is expected to begin in October and will take two years, when Hay Castle will be fully open to the public for the first time in many centuries.

Visit Hay Castle’s website for updates on their upcoming work.