Marlborough Castle: twenty years of restoration and exploration

After two decades of research into Marlborough Castle, the Marlborough Mound Trust has collated all the results of their work in to a new publication. Here, Richard Barber of the Trust looks at what they have found.

Marlborough Mound is one of the least visible of the great monuments of England, and almost unknown except to local historians and specialists. It stands in the middle of Marlborough College in Wiltshire, and even for generations of members of the school, it was no more than a mysterious but familiar presence, largely concealed by trees, and with nothing to explain what it is or why it is there.

In the last twenty years, the curiosity of one Marlburian, Eric Elstob, who set up a trust for its systematic restoration and the exploration of its history, has led to dramatic results. The key moment came when the Marlborough Mound Trust was offered the use of a coring machine by English Heritage, who were investigating the structure of Silbury Hill six miles down the Kennet valley. They wanted to see if the Mound was comparable to their site. As a result, we now know, thanks to the dating that radiocarbon analysis has enabled, that it is the second- largest Neolithic mound in the whole of Europe, broadly contemporary with Silbury Hill, and thus part of the much-vaunted ‘Stonehenge landscape’.

Marlborough Mound Now copyright Marlborough Mound Trust

Subsequent research by Jim Leary has shown that Marlborough is currently the only known example of the reuse of a prehistoric mound as a castle motte. However, only a few traces of the foundations of the medieval castle survive. We have nothing of the keep which once stood on the Mound. So here the question was not of archaeology – several trial pits were unsuccessful – but of historical research. Initially in the hands of the family of William Marshal, (whose family retained a connection with the castle as late as 1297), the records in the National Archives enable us to reconstruct many of the details of the vanished buildings.

However, the use of the castle in the early thirteenth century is a much richer story. To take one example, John sent the queen and his children to Marlborough for safety just before the signing of Magna Carta. For Henry III, it was one of his most favoured residences outside London, and he spent a total of about two years there in the first three decades of his reign. His love for Eleanor of Provence is reflected in the costly refurbishment of the royal chambers in the castle. There is also evidence of ‘herbers’, the small courtyard gardens found in other royal castles of this period.

After Henry III’s death, the castle passed to Eleanor, and thereafter was part of the dowry of English queens until 1548. It began to decay shortly after Eleanor’s death [insert date], when part of the great tower collapsed, and by 1400 the whole castle was more or less deserted. The meagre list of royal property there in the fourteenth century is matched by accusations against the local rector who had surveyed the castle in 1371, which described how he had removed material from the site to build his own houses. By 1541, when John Leland came to Marlborough on his great journey round England recording its antiquities, only the remains of the keep were still prominent.

One other interesting element at Marlborough castle was the fishpond. The ‘king’s great fishpond’ survived unidentified until a year or two ago, when it was filled in (and now appears to be a paddock for polo ponies). It was a major source of supply for freshwater fish such as bream – not to be confused with sea bream – and pike. Henry and Eleanor, however, preferred lampreys, finding all other fish ‘insipid’. The fishponds also supply breeding stock for other castles, shipped in water-filled barrels.

Marlborourgh Castle as in C18 with Summer House on top of the motte

The last stage in the Mound’s history was its adaptation, probably in the decade before the civil war, as a major feature in the garden laid out by Francis Seymour, the owner from 1621 and builder of the first house on the site of the Castle. A spiral path and a grotto were cut into it, possibly in the 1640s. The Mound was well maintained when Marlborough College took over the house in 1843, but later photographs record steady decay and encroaching trees. A water tank was installed on the top early in the seventeenth century, which had become a massive cast iron and concrete structure after the second world war, surrounded by a jungle of undergrowth.

The Mound Trust’s work over the past twenty years has restored something of the impressive aspect of the original mound, and this newly published book presents a fascinating picture of the history of the hidden treasure in the heart of the College.

The Marlborough Mound: Prehistoric Mound, Medieval Castle, Georgian Garden

Copies are available to followers of the Castles Studies Trust at £25 direct from the publisher, Boydell and Brewer Ltd, on their website (until December 31 2022) at:


https://boydellandbrewer.com/9781783271863/the-marlborough-mound/

Use code  BB072 when completing the order. Normal price is £45.

 ISBN 978 1 78327 186 3, 234 pages, 234 x 156 mm, 54 illustrations.


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Flying High: Project update from Raby Castle

Project lead for our Raby project, Julie Biddesecombe-Brown. Curator at Raby Estates, gives an update on how the building survey and work around it has progressed.

Work has progressed this summer on Raby Castle’s project funded by the Castle Studies Trust to create a digital model of the 14th century Nevill stronghold.

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During July, Durham University Archaeological Services’ drone scanned the castle exterior. Every nook and cranny was covered; from courtyard and tunnels, to rooftops and bartisans, relying on the skill of the pilot to navigate the hardware into some pretty tight spaces. The photographs were taken utilising a 14mm lens and 36 megapixel sensor, supported by RTK GNSS positioning to precisely document every feature of the building. The data captured will then be uploaded and processed through Agisoft Metashape Professional and output as a 3D model utilising AutoCad Map 3D.

As well as creating an outstanding record of the building as it stands today, the software will enable the project team to ‘strip back’ known later additions and ‘rebuild’ known, lost features, such as the Barbican. Throughout the summer, Raby’s dedicated volunteers have continued to research the medieval structure and to collate findings based on evidence in other related sites that will help to build the model and to ensure accuracy as far as possible. The end result will have many uses, not only in building our understanding the medieval castle but also how it intersects with later additions and how it functioned as a building. The findings will be shared with visitors in new interpretation to be introduced as part of the castle’s wider development plans.

There has never been a full archaeological survey of Raby Castle and opportunities for research have been limited in the past. This project reflects the ambitions and vision of Lord and Lady Barnard, the castle’s owners who firmly believe that it is by understanding and sharing the castle’s past that we will secure its future. We look forward to sharing our progress as the model develops.

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For more information about Raby Castle visit www.raby.co.uk

What did they find on top of Shrewsbury’s motte?

Following the finishing of excavations at Shrewsbury Castle, the director of the excavations, Dr Nigel Baker, outlines what they found during the dig.

The third season of excavations at Shrewsbury Castle, funded by the Castle Studies Trust and staffed by experienced local volunteers, supervised by Dai Williams MCIfA, and students of University Centre Shrewsbury (University of Chester) under Dr Morn Capper, has just ended. Having investigated the inner bailey interior and one of its ramparts in previous years, the principal objective of this third season has been to examine the top of the motte – more easily said than done as it is paved by cobbles set in thick cement, which had to be drilled through by the volunteers at the peak of the recent heat-wave. The question was: did any archaeology bearing upon the character and use of early medieval motte-top buildings survive the depredations of Thomas Telford, who is known to have demolished a standing 13th-century tower and the ruined walls of at least one major building up there during his ‘restoration’ of 1786-90.

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The three trenches on Shrewsbury Castle motte. Copyright Dr Nigel Baker

The answer is that buried archaeology does indeed survive, truncated, under Telford’s topsoil (imported to create a motte-top garden) and the 1990s cobbles. Cut into the orange clay top of the motte were post-holes, a post-pad and slots for sleeper-beams of buildings, generally of the period when local unglazed cooking-pots were in use (late 11th to mid-13th-century). In places these features were intercut, showing that the remains represent buildings that had existed over an extended period of time. Remains of the ‘great tower’, the timber tower that collapsed in the third quarter of the 13th century, were not positively identified. Some of the post-holes were packed with a distinctive crumbly green sandstone (Coed-yr-Allt beds) obtained nearby from the River Severn that has recently been identified as the stone used in the first phase of building the curtain walls and converting the Norman earth-and-timber fortress into a stone castle.  

Shrewsbury Castle Excavation opening of the trench outside the curtain wall to investigate possible remains of a bastion. Copyright Dr Nigel Baker

A second trench was also opened outside the north curtain wall to look for evidence of a projecting bastion in that area that is known to have still been standing in the 18th century. The wall itself shows no trace whatever of this, suggesting that its outer face was rebuilt in the mid-19th century. The ground outside the curtain wall was found to have had been stripped down to natural in the 19th century when the wall was indeed rebuilt. Concurrent research by Historic England in its registry files suggests this is not in the least surprising as the curtain walls evidently have a long history of instability and collapse.

Following three seasons of CST excavations and additional research for a conservation management plan commissioned by Shropshire Council, the site owners – including the first-ever examination of the curtain walls with dense vegetation now removed from their faces – attention is now turning to publication of this long-neglected Marches shire-town fortress.

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Featured image, copyright Dr Nigel Baker