Greasley Castle – A Misunderstood Castle

Following the publication of the results of our Warkworth geophys survey, here is the second of the Trusts 2021 grant awards publishing their results on the building survey of Greasley Castle, Nottinghamshire . Here James Wright explains what he found during his survey.

When studying castles, it is important to try and understand the contemporary experience of the buildings in the mediaeval period. A good way to do this is to look at castles which fit into the background. Researching castles built for kings, dukes and archbishops can skew data towards extraordinary structures. Equally, castles built in contested borderlands can lead to a focus on military aspects which were perhaps not part of the everyday for most sites. Surveys of lordly sites in the English midlands can help to establish a framework which explains the commonplace context for most castle builders.

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The Castle of Nicholas de Cantelupe

The research funded by the Castle Studies Trust at Greasley Castle (Nottinghamshire), a relatively obscure site, has afforded the rare opportunity to look at a fourteenth century baronial castle in the midlands. The castle built in the 1340s for the socially rising Nicholas de Cantelupe was probably a type instantly recognisable to many of his aspirational peers.

Cantelupe’s story was a familiar one. Born at the opening of the fourteenth century into a family with high-ranking connections – two of his uncles were bishops – he engaged in royal service through military campaigns in Scotland, Flanders and France. Cantelupe was then appointed Governor of the key border town of Berwick-on-Tweed, named commissioner of array in Lincolnshire and became an MP. In short, Cantelupe was exactly the sort of thrusting individual who built castles to physically cement a place in society through powerful architectural statements.

Tomb of Nicholas de Cantelupe at Lincoln Cathedral (Picture Source: James Wright / Triskele Heritage)

Some scholars have pointed towards Edward III’s grant of a licence to crenellate at Greasley, which Cantelupe received in 1340. However, after that note, references to the castle largely dry up. This is probably due to what the castles specialist, Oliver Creighton referred to as a “deficiency of the field evidence”. The site, a privately owned working farm, has not received much in the way of systematic survey work. Consequently, previous statements were rather scanty – it was a misunderstood castle.

In 2021, Triskele Heritage, funded by the Castle Studies Trust, conducted a buildings archaeology survey with the intention of providing initial baseline data for the site.

Results of the Survey

The project was able to identify that the remaining structures of the castle are located within a post-mediaeval farmyard, which lies inside a partially moated plateau. The remains of a single courtyard were identified. To the north, it is bounded by a plain curtain wall flanked bywhat were probably polygonal turrets. Part of the west curtain wall survives beneath nineteenth century farm buildings. Opposite is part of the east elevation of the great hall. Analysis revealed that a mid-fourteenth century moulded doorway allowed access into a screens passage with the hall opening to the south. Internally, this space was lit by two tall, flat headed, twin-light, double-cusped tracery windows that flanked a recessed fireplace. To the north of the hall, a stretch of ashlar wall culminates in the closer rebate of a door into a service range which probably incorporated the north-east turret.

Interpretive phased plan of Greasley Castle, Nottinghamshire (Picture Source: James Wright / Triskele Heritage)

The former magnificence of Greasley can be alluded to through the identification of the substantial timbers re-used in the roof structure of a post-mediaeval barn, alongside the ex situ architectural stonework which peppers the farm structures. The latter includes carved head sculptures, tracery windows, a moulded coping, a door arch and the crown of a sexpartite vault. When considered alongside the in situ great hall door and windows, it is clear that this was once a very well-appointed castle.

Greasley in Context

With something of the plan of Greasley established, it has been possible to try and set the castle in its wider context. Cantelupe was one of several late mediaeval midlands men who sought to bolster their social position through the patronage of courtyard castles. The pattern of Cantelupe’s biography and architecture can be paralleled in the second quarter of the fourteenth century by the Vernon family at Haddon Hall (Derbyshire) and in the 1350s by Sampson de Strelley at Strelley Hall (Nottinghamshire).

Exterior of the entrance passage and great hall at Haddon Hall, Derbyshire (Picture Source: James Wright / Triskele Heritage)

Haddon is perhaps the closest parallel to Greasley in terms of landscape and architecture. Both are directly overlooked by hills to the north. The moated plateau at Greasley is 0.91 hectares in area and the double courtyard and terraced garden at Haddon are 0.76 hectares. The projected area of the great hall at Greasley (at least 57m2) is proportionate to that of Haddon (67m2) and the layout of the two – with tracery windows flanking early examples of recessed fireplaces – seems similar. Meanwhile, the probable area of the Greasley courtyard (1026m2) is comparable to Strelley Hall (1074m2). Strelley had rectangular corner turrets, whilst Greasley is likely to have had polygonal examples which can be paralleled in the mid-fourteenth century at sites including Stafford Castle and Eccleshall Castle (Staffordshire). Furthermore, the probable relationship between the services and one of the corner turrets at Greasley can be mirrored in the 1380s Drum Tower at Bodiam.

The reasons for the decline of Greasley are, like so many other late mediaeval castles, bound up with the varied fortunes of the families that owned them. For example, the ruin of nearby Strelley was brought about via a five-way division of the estate at the end of the fifteenth century which led to decades of expensive litigation, legalwrangles with neighbouring families and a catastrophic fire. Greasley was inherited by the Zouche family during the 1370s, but they eventually lost it due to the attainder of John Lord Zouche for his support of Richard III at Bosworth. There is no architectural evidence for any mediaeval construction after the original mid-fourteenth century phase and it may be that the later owners either did not remodel the castle or let it deteriorate. By the late sixteenth century the site was a roofless tenant farm.

Greasley Castle Farm in 2021 (Picture Source: James Wright / Triskele Heritage)

Conclusions

Understanding the depreciation of Greasley from courtyard castle to working farm has been key to understanding this misunderstood site. By using buildings archaeology to unpick the later accretions from the surviving built environment of the castle, it has been possible for the plan form of the mediaeval architecture to be established for the first time.

Although a pale shadow of its former glory, Greasley can now be understood as a turreted courtyard castle with a fine great hall and associated services. The site was built for a socially rising aristocrat whose architectural patronage fitted well within the experience of his midland peers. It is intriguing to consider that Greasley may once have rivalled the rightly famous Haddon Hall in its heyday.

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Featured Image: Buildings archaeology survey work on the exterior elevation of the great hall at Greasley Castle, Nottinghamshire (Picture Source: James Wright / Triskele Heritage)

About the author

James Wright of Triskele Heritage is an award-winning buildings archaeologist. He has a long-lived research interest in mediaeval castles, palaces and great houses. He has worked on surveys of buildings including the Tower of London, Nottingham Castle, Knole, Holme Pierrepont Hall and the Palace of Westminster. He has written books on Tattershall Castle, Kings Clipstone Palace and the castles of Nottinghamshire. James led the building survey, funded by the Castle Studies Trust, at Greasley Castle.

Exploring Raby’s Medieval Past

The team at Raby Castle were delighted to hear that their application to the Castle Studies Trust for funding to support the creation of a digital model of the 14th century Nevill stronghold. The acual survey to create the model will not take place until May, but preparation is well underway including extensive documentary research by volunteeers. Their curator, Julie Biddlecombe-Brown who will oversee the project during 2022 reflects here on what the project will entail and what they hope to achieve.

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Raby Castle is one of the most impressive intact castles in the North of England. Built in the 14th century by the powerful Nevill family, it has a fascinating history. The castle was seized by the Crown in 1569 after the failed ‘Rising of the North’. In 1626 the castle was purchased by courtier Henry Vane the Elder and has remained in the family ever since. Over the last 300 years, successive generations have altered, updated and modernised parts of the building and although from the exterior, the 14th-century core is still evident, internal reworkings of the spaces mean that it is sometimes difficult to imagine and interpret the castle’s medieval past.

West Side of Raby Castle copyright Graeme Peacock, Raby Castle

In 2016, the castle was inherited by Harry Vane, Twelfth Baron Barnard. Under his stewardship, ambitious development plans were passed to enhance the visitor journey at Raby Castle, Park and Gardens. The dynamic scheme known as The Rising will restore and preserve historic buildings which have been without purpose for decades, providing contemporary event and exhibition spaces, retail and dining experiences and a visitor’s hub.  The transformation of the visitor offer at the castle, park and gardens include improved interpretation of the castle building. An important part of this for the Raby team is increasing our understanding of how the castle functioned during it medieval heyday. In 1378 Bishop Hatfield granted John Nevill a licence to crenellate reflecting a building that was changing from a fortified manor house to the castle we see today. Less than 50 years later, John’s son Ralph arranged the betrothal of his daughter Cecily to his young ward, Richard Duke of York; a marriage that would play a central role in the Wars of the Roses and ultimately in shaping British history. 

View from the inner-courtyard, showing The Keep and Clifford’s Tower ©Daniel Casson

With no significant collections in the castle to reflect this period, Raby’s greatest medieval asset is  the castle itself. Alterations over the past 400 years have reshaped the  building, modernising it for residents as tastes and technologies changed. Whilst it is still medieval in appearance, key features of the 14th century building have been lost. In order to explore how the castle may have looked before these alterations, our 2022 project will create a digital model of the castle that allows visitors then to view the castle’s past appearance based on our ongoing research. 

The creation of the digital model will be carried out by Durham University’s Archaeological Services, using a DJI S900 drone or equivalent. Photographs will be taken utilising a 14mm lens and 36 megapixel sensor, supported by RTK GNSS positioning. The data captured will then be uploaded and processed through Agisoft Metashape Professional and output as a 3D model utilising AutoCad Map 3D and giving the team the opportunity to ‘strip back’ known later additions and ‘rebuild’ known, lost features, such as the Barbican. The resulting model will be used in new interpretation at the castle, sharing our findings with our visitors.

View through the Nevill Gateway to the inner-courtyard and door to the Entrance Hall ©Raby Estates

Instrumental to the success of this project will be a team of Raby’s dedicated volunteers. A group of the castle’s regular volunteers formed a research group to work with the curator to pull together all known sources for the castle’s architectural changes to support this project. They have researched documentary sources including primary and secondary accounts, topographical pictures, maps and plans and in advance of the project will be surveying the castle walls. Their findings will be brought together in a portfolio of evidence which can then be reviewed by specialists from Durham University Archaeological Services who will be carrying out further research and eventually creating the model itself.

There has never been a full archaeological survey of Raby Castle and opportunities for research have been limited in the past. This project reflects the ambitions and vision of Lord and Lady Barnard, the castle’s owners who firmly believe that it is by understanding and sharing the castle’s past that we will secure its future. This project is part of that important story.

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Feature image: Raby Castle from a drone copyright Daniel Casson

A story half-told: Caister Castle

Castle Studies Trust patron John Goodall explains the reason behind his latest book The Castle (Yale University Press) using the intriguing example of what happened to Caister Castle after the death of Sir John Fastolf, the castle’s owner.

Those who have seen a copy of The English Castle (2011), which I published more than a decade ago, may be surprised to learn that it was originally intended to be a short book. The attempt to tell the story of the architectural development of the castle from the Norman Conquest of 1066 to the Civil Wars of the 1640s, however, inexorably and necessarily transformed it into a long and richly illustrated one. So long and so richly illustrated that, when it was completed, I never thought I would wish to return to the subject.

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Several friends and at least one reviewer, however, observed that the story it told about the history of the castle was incomplete. If the castle was—by my own definition—the residence of a noble made magnificent by the trappings of fortification, then what was there to say about such buildings in later centuries? They were right, of course, and this new book The Castle. A History is an attempt to complete a story that my previous book—for all its length and scale—only partially told.

Caister Castle Bailey from the Great Tower copyright John Goodall

Rather than continue the narrative in the same form, however, and produce another door-stopping volume, I thought I would try and condense the whole story of the castle from beginning to end in a single and much shorter volume. In this sense, this second book on the subject of castles is actually cast in the intended form of the first that I planned more than a decade ago. To make this possible I also decided to approach the subject in a way that I hope will strike readers as both unexpected and engaging.

Presented here are effectively a series of anecdotes organised in a huge chronological span of two millennia and drawn from every kind of source, from chronicles to sermons, poetry to building accounts, and novels to correspondence. All of them are about castles or take place within the context of these buildings. There are also some images that are treated in the same way. The result is a story presented through many different modes and voices across a span of over two millennia.

Part of the joy of this approach is that the book can be read in many different ways, either as a volume that the reader can dip into casually at any point or as an overarching narrative. More importantly, however, it allows for the exploration of specific detail in a way that is impossible in a conventional narrative history. In the process, the human dimension of the past is also brought to the fore. As an added benefit it allows for the exploration of small episodes and the specifics surrounding them that would be impossible in a conventional narrative history.

What could be better as a taster for the volume, therefore, than take a relatively well known anecdote about a siege that didn’t make the final cut for reasons of length and present it in the formula adopted in the book.

Caister Castle Great Tower from the Bailey copyright John Goodall

In the autumn of 1459 the childless Sir John Fastolf, a wealthy veteran of the French wars, tried from his deathbed to finalise the details of a long-discussed proposal to turn his seat at Caister—variously described as a ‘great mansion’, ‘castle’, ‘manor’ and ‘fortress’—into a Benedictine Priory and almshouse. When he died on November 5, his trusted administrator John Paston announced that Sir John had issued a final will by word of mouth. This nuncipative will gave Paston control of all Sir John’s property and tasked him with founding the priory. We will never know the truth of Paston’s assertion. Given the value of what was at stake, however, not to mention England’s descent into the Wars of the Roses, it was never going to go unchallenged.

After the Battle of Edgecote on July 26, 1469, Edward IV was briefly imprisoned and royal authority collapsed. A wave of violence broke as individuals across the kingdom took the opportunity to settle scores. Among them was the Duke of Norfolk, who decided to seize Caister by force. The ensuing siege lasted about three weeks and details of it are recorded in the writings of a former secretary of Sir John Fastolph, the scholar, historian and topographer, William Worcestre. He was an excluded executor of Sir John’s will:

Memorandum that at the feast of the Assumption of the Blessed Mary [15 August] 9 years ago was the siege of Caister; Saint Bartholomew’s [Day, August 24] was a cruel day with guns fired at the castle [castrum]; the siege lasted for five weeks and three days.

Here follow the names of the men at arms besieging the castle and fortalice [castellum et fortalicium] of Caister Fastolf, beginning on Monday, [August 21] before the feast of Saint Bartholomew in the ninth year of King Edward IV, the King being at Coventry; and the siege lasted until September 27.

John, Duke of Norfolk… [followed by a list of 37 other knights and squires].

The names of certain defenders of the siege against the Duke:

John Paston junior, esquire, defending the siege in place of John Paston knight his brother, during his absence, being with:

Dawbeney esq slain with a quarrel

Osbern Bernay esq

Valets: Osbern of Caister valet; Sander Cokby of Maltby valet; Richard Tolle valet; Mundynet, born in France; Thomas Salern of Caister; servants of John Paston junior John Vincent; W. Vincent; W. Wod; N, Bylys; Robert Owmond of Maltby. Davy Coke, servant of John Fastolf; John Roos of Filby; John Osbern of Filby; John Norwood; Raulyns, a stranger; William Peny, a soldier from Calais; John Loe of Calais; Mathew, a Dutchman; Thomas Stompys, handless, and wished to shoot for a noble; John Pampyng of Norwich; John Chapman, soldier of the Duke of Somerset; J. Jaksone of Lancashire; J. Sparke of Marsham

And first the said Duke John, before laying siege to the said castle, a week beforehand, sent Sir John Heveningham, knight, a cousin of Sir John Fastolf, to John Paston, junior Esquire, lieutenant of his brother, John Paston knight, for the safekeeping of the said castle for the use of his brother during his absence on service and on business…. The Duke said that he had bought the castle from a certain accursed William Yelverton Justitiar of Norfolk named one of the executors of Sir John Fastolf knight and lord of the castle, although it was against his will and testament that it should be sold, for he had ordained in his testament that it was to be a house of prayer and for poor people, to be founded to pray for ever for his soul and those of his parents. The said lieutenant of Caister refused to deliver up the castle, for that he had not taken custody of it from the Duke, but only from John Paston his brother. Afterwards, within ten days, that is on the said Monday, the Duke himself with his army to the number of 3,000 armed med laid siege to the castle. Three parts of it were under fire from arms called in English guns and culverins [gonnys culveryns] and other pieces of ordnance of artillery, with archers etc.

William of Worcestre, Itineraries (trans. J. Harvey)

The list of the garrison is curious because it shows that besides a force of locals and servants (including the handless Stompys, who ambiguously wished to ‘shoot for a noble’ or gold coin) there was a smaller group of mercenaries, many of them with experience in Calais, then an English frontier town in France. The latter appear to have been given command of sections of the fortifications and in the months before the siege helped train the former. The fighting seems to have been restricted to bombardment followed by negotiation, at the end of which the castle capitulated. Beside the unfortunate Daubeney, whose brass survives at nearby Sharrington Church, two of the besiegers were also killed by a single cannon shot. The Duke issued terms of surrender on September 26 that:

John Paston and his said fellowship being in the said manor shall depart and go out of the said manor without delay, and make thereof deliverance to such persons as we will assign, the said fellowship having their lives and goods, horses and harness, and other goods being in the keeping of the said John Paston, except guns, crossbows, and quarrels, and all of the hostelments to the said manor annexed and belonging…

September 26, 1469, passport to the besieged

The siege was one episode in a long battle over Fastolf’s will but Caister never became a monastery (a 20th-century equivalent would be the donation of a house to the National Trust). Instead, much of his land was used to endow Magdalen College, Oxford.

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The Castle by John Goodall is published by Yale University Press and available via all good bookshops.

Featured Image: Caister Castle Great Tower, copyright John Goodall

Viewscapes from Trim Castle

Scott Stull, archaeology lecturer at SUNY Cortland, looks at the results of an interdisciplinary led by Physicist Michael “Bodhi” Rogers, that he took part in looking at the landscape and viewscapes of Trim Castle.

Trim Castle, in County Meath, Ireland, was built starting in 1187 by the De Lacy family as part of the Anglo-Norman conquest of Ireland. After a long history of conflict, disputed ownership, expansion, change, and decay, the castle was finally abandoned in the mid-sixteenth century when it was described as being full of cattle and dung. The medieval landscape around Trim is remarkably well preserved, including the walls of the town, a fourteenth-century bridge over the River Boyne, a variety of religious institutions, and the farmlands, called the Porchfields, which still have their ridge and furrow plough marks.

In 2016 and 2017, Michael “Bodhi” Rogers led a team of students to digitally record Trim Castle and the surrounding landscape. That scanning project was described in Archaeology Ireland (https://www.jstor.org/stable/pdf/26565802.pdf). The results of that project allowed further study and analysis of the landscape, and specifically the viewscape, of Trim Castle. In a three-way interdisciplinary project, Scott Stull (archaeology), Michael “Bodhi” Rogers (physics), and Michael Twomey (medieval literature) looked at Trim Castle and how the views from the castle were carefully constructed as part of the creation of medieval power and authority.

Trim Castle showing the Dublin Gate (foreground) and Keep (background), image credit Michael “Bodhi” Rogers

The starting point for this study, which is a chapter of the upcoming volume, Bailey, Kinsella, Thomas (eds) Architectural Representation in Medieval Textual and Material Culture (Arc Humanities Press, 2022), is the concept of the cultural landscape. The cultural landscape is how people shape a landscape and put meaning on it, to influence perception, behaviour, and patterns of social interaction. It can be practical, such as food production, or it can be tied to belief systems, such as religious sites, places associated with an ethnic or group identity, or associated with structures of power and authority. Castles, while often associated with military activity, embody most of these elements, and as part of the cultural landscape help create beliefs that support those practices and perceptions.

Viewscapes are a specific aspect of a cultural landscape, and in this case are the views from the castle. At Trim, the castle is placed to oversee the town, roads, bridge, farm fields, and religious institutions. There are a variety of ways to identify and record viewscapes, such as with mapping and GIS systems (for example: Lisa Karen McManama-Kearin, The Use of GIS in Determining the Role of Visibility in the Siting of Early Anglo-Norman Castles in Ireland, BAR British Series 575, Oxford: British Archaeological Reports, 2013). Our study, overseen by Bodhi Rogers, used ground-based lidar to make a 3D record of Trim Castle and its surroundings. The result of the recording is effectively a 3D photograph which you can examine from any angle or point in space. This allows us to see from windows which are inaccessible physically, or from spots which have been lost due to decay or collapse over time.

Digital record of Trim Castle showing the view from the Constable’s Tower toward the Dublin Gate and River Boyne, image credit Michael “Bodhi” Rogers.

While a useful modern tool, viewscapes were a fundamental part of the medieval understanding of castles. We see castles used as viewing platforms, as symbolic places of literal and figurative elevation, and as part of medieval romances where the view from the window represents both the desire and distance of a romantic attraction. In many cases, the lady views the desired knight from the castle window, and the knight is inspired by the glimpse of the lady in the window, affirming the ideals of courtly love. Religious allegories have the castle as a tower of morality, and the viewscape is often overlooking humanity in all its faults and mundanities. By looking at medieval literature, we can gain an understanding of the medieval mindset.

Combining the physical context of a castle with the medieval mindset allows us to gain a more complete understanding of medieval life. The nobility used castles as structures of power and created a cultural landscape which made that system of power seem normal and natural. Castles were a central part of everyday life in medieval Europe, and the lived experience of medieval people was shaped by the created landscapes in and around a castle. At Trim, the castle overlooked the social and economic centres of the community, from the Porchfields to the monasteries. The viewscapes from the castle were specifically created to reinforce the position of the De Lacy family and its successors over the lands and cultural landscape in Trim. Trim castle was the dominant element in both the physical and social landscape.

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Feature Image: Trim Castle Keep and the Sheepgate (foreground), image credit: Scott Stull

Castle Studies Trust is going on its travels in 2022

In its latest round of grants the Castle Studies Trust has awarded £34,000 to five projects including two projects outside the UK. As well as covering a wide geographic area the projects will also undertake a broad range of technics to boost our understanding of castles.

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Dating medieval towers in the hinterland of Medieval Chalkida, Greece:

Mytikas South Tower copyright Andrew Blacker

Stand-alone medieval towers, often part of castles or larger fortifications, are common in Central Greece. Often thought to have been built by the Frankish nobility during their period of dominance between 1204-1470, there is minimal evidence to back this up. By taking wood and mortar samples, the project aims to answer that question.

The present project forms part of the five-year survey ‘Beyond Chalkida: Landscape and Socio-Economic Transformations of its Hinterland from Byzantine to Ottoman times’ (authorised in July 2021 by the Greek State)

Samples will be taken from six towers of wood used laterally within tower walls to increase their structural strength, and mortar from within the core of the walls (both therefore probably

contemporaneous to the original period of construction). Specialists will use dendrochronological and

Carbon 14 methodology for the wood (8 samples), and optical microscopy, Scanning Electron Microscopy (SEM), and X-ray fluorescence (XRF) and diffraction (XRD) Spectroscopy (mortar – 21 samples).

Work will start at the earliest in late 2022 and may not actually take place until next year due to the time it is likely to take to get official permission from the government. 

Kilmacahill, Co. Westmeath

Geophysical survey of deserted medieval settlement close to Jamestown motte & bailey castle. The aim is to understand the morphology of settlement and its relationship with the castle and medieval monastery.

This survey will contribute to a larger project: the Human-Environmental Exchanges in the Landscapes of Medieval Ireland Project (HELM Project) which aims to use a combination of multispectral imaging, UAV drone survey along with geophysical survey to gain a much better understanding of the form of the deserted medieval village through non-invasive methods.

At time of writing it was unclear when the survey will take place.

Pontefract, West Yorkshire

Pontefract Castle: Service area between the kitchen and royal appartments copyright Angela Routledge, Wakefield Council

The project funded will be a geophysical survey of two parts of the castle, which during its history was the main royal castle in Northern England, not previously investigated. The survey will be of two areas of the castle using Magnetometry, Resistivity and Ground Penetrating Radar (GPR)

The focus is on parts of the castle not previously explored by  excavations in the 1980s, especially around the northern ramparts. This area stretches from the Swillington Tower towards the Kings Tower, and includes several earthwork features which remain unidentified, or unconfirmed.  Geophysical investigation is likely to reveal several interesting features including the link wall between the curtain wall and the Swillington Tower, which is unique in that it was built outside the main castle defences.

A second area that we have very little information on is part of the castle known as the “service buildings”. This area has never been excavated and we have very little knowledge regarding the layout or function of this part of the castle. 

As yet it is unclear when the survey will be undertaken.

Raby, Co Durham:

Aerial View of Raby Castle copyright Raby Castle

The Trust will be co-funding the project which aims to improve the understanding of the castle in the medieval period, especially around 1400 in the decades immediately after the licence to crenellate, with a buildings survey and development of a 3D model.

Once a stronghold of the Neville family, it moved into the ownership of the Vane family in 1626 and has been much altered and modernised, especially in the Victorian period, into a palatial family home.  Large sections of the medieval castle survive intact, albeit intersected and extended with more recent architectural additions.

This project seeks to strip back the more recent layers, to make sense of the medieval castle. Our aim is to create a 3D visualisation of Raby Castle in around AD 1400, helping us to visualise and to understand (where possible) how it functioned before the later additions.

In addition to boosting our understanding of the castle, the plan is also to train up a team of volunteers in how to carry out a building survey.

The aim is to start the survey work in April. 

Shrewsbury, Shropshire:

Shrewsbury Motte Top copyright Nigel Baker

This is the third project the Trust has funded on this important castle of the Welsh Marches and is an excavation of the motte top. The first two excavations in the inner bailey discovered that the original inner bailey was a lot smaller than it is today with little room for any substantial buildings, especially the royal hall.

This leaves only the motte and the aim is to understand the structural sequence and assess the character and the status of the buildings there: specifically to identify the royal hall known to be present during the Middle Ages.

The excavation is due to take place in the second half of July.

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Featured image Shrewsbury Castle by air courtesy of Shropshire Council

From Edwin’s hall to Roger’s castle: the elite residence of Laughton en le Morthen, South Yorkshire

Since 2018 the Castle Studies Trust has funded archaeological investigation of the motte and bailey castle at Laughton en le Morthen, South Yorkshire. Led by Dr Duncan Wright of Newcastle University, a scheme of topographic and geophysical survey, followed by targeted excavation, showed that the castle at Laughton had been built on an earlier elite residence—almost certainly the hall complex of Earl Edwin of Mercia referred to in Domesday Book. The results of the fieldwork therefore show us how an existing high-status centre was transformed into a castle in the wake of the Norman Conquest. Using a combination of the evidence gathered in the field, and comparison with similar centres in the country, researchers are able to reconstruct the chronological development of tenth and eleventh-century Laughton with some confidence.

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Laughton-en-le-Morthern as it might have been pre-Conquest (copyright Pighill Illtustrations)

The first reconstruction shows how the elite residence would have looked in the late tenth and first half of the eleventh century. The hall forms the focus of the complex, and this wooden building and any additional structures would have been surrounded by a ditched and fenced enclosure. The protective circuit was found during excavation, and it was even possible to see where wooden posts had been levered out of the ditch when it went out of use. Appended to the hall complex within its own enclosure would have been a stone-built church, a doorway from which survives in the north wall of the present building. Dr Michael Shapland suggests that the first church at Laughton may have been a free-standing ‘tower nave’ construction, for the exclusive use of the aristocracy rather than the wider community. To the east of the hall and church extended settlement and industrial activity, which has been found by previous archaeological investigation. Laughton would have been an important estate centre as well as an elite residence, and was a place where agricultural produce was collected and processed.

Laughton-en-le-Morthern as it might have been post Conquest (copyright Pighill Illustrations)

The second reconstruction depicts Laughton following the Conquest and after construction of the motte and bailey castle on the site of Earl Edwin’s hall. We cannot be sure when the castle was built, but it was most likely completed before the end of the eleventh century when Norman power in northern England was gradually being established. Laughton at this time was a contrasting picture of change and continuity, with some earlier parts of the elite complex maintained and others adapted or removed. Most obviously, the residential parts of the site were destroyed to construct the castle; excavation showed how the ditches surrounding Edwin’s hall were quickly infilled, and the posts supporting the fence were removed. Geophysics also confirms that the 9m-high motte at Laughton was built direct over the middle of the earlier arrangement, and extended over the western part of the enclosure. The church probably kept its original form in the eleventh century, and was only updated in the twelfth century after it came under the control of York Minster. While investment in the church continued through the twelfth century and later, occupation of the castle seems to have been very short-lived. Excavation identified no material from the later medieval period, and the motte and bailey was not enhanced with stone structures. At Laughton it seems that building of the castle was more important than its actual occupation; construction involved the destruction of Edwin’s residence and the raising of something new that demonstrated the establishment of Norman authority. Nearby Tickhill instead emerged as the most important secular centre in the region.  

Phased Plan of Laughton en le Morthern

The phase plan outlines the core components of the two chronological periods recognised at Laughton. It makes clear how construction of the castle destroyed and disrupted the earlier elements of the high-status complex.

Early grave cover

The stone illustration represents about one sixth of an early grave cover with incised decoration, which was analysed by Professor David Stocker and Dr Paul Everson. This type of monument is well-recognised in eastern England and Yorkshire, and at Laughton the stone can be found built into the eastern wall of the chancel. It is a difficult stone to date precisely, but probably dates to the eleventh century and would originally have covered a burial either within or outside of the church.

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All pictures and illustrations ndertaken by Peter and Rosalyn Lorimer of Pighill Archaeological Illustration. 

What happens to your castle when you upset the king?

Slighting is the destruction of a high-status building, and in the Middle Ages it was all about power: damaging property meant exercising power over its owner. Castles were statements of the owners’ strength and status, so damaging one said a lot about how that status had changed, or their strength undermined. One especially interesting example comes from Bedford Castle.

During King John’s war with the barons in 1215–16 one of his captains was Falkes de Breauté. Falkes seized control of Bedford Castle from William de Beauchamp who had joined the rebellion against John.  John died in 1216 and was succeeded by his son, Henry III; Falkes was a key figure at the battle of Lincoln in 1217 which ended the rebellion against royal power and secured Henry’s reign.

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A model at Bedford Museum, showing how the castle may have appeared before the siege of 1224. Photo by Simon Speed (public domain).

After the war ended, Falkes made himself at home in Bedford, expanding the castle and even tearing down two churches in the process. At the same time, William de Beauchamp was trying to persuade the young Henry III to give him back Bedford Castle. Falkes was a powerful man in the royal court, despite making enemies. He clashed with Hubert de Burgh, who was Henry III’s justiciar, and in November 1223 Falkes nearly sparked a new civil war by attempting to seize the Tower of London alongside the earls of Chester and Gloucester and the count of Aumale.

Falkes lost a lot of power and influence because of this failed gambit and in 1224, he was instructed to give up Bedford Castle (along with some other properties). Falkes refused and things came to a head in June when Falkes’ brother, William de Bréauté, imprisoned a royal official at Bedford Castle.

William had been left in charge of Bedford Castle, and Falkes supported his brother’s refusal to release the royal official and surrender the castle to the king. Henry quickly diverted the army he was gathering for an expedition to Poitou to undertake a full blown siege of Bedford Castle. Falkes might have hoped he would get some support from his allies, including the earl of Chester but he was left isolated. An eight-week siege followed, with four attacks on the castle and more than 200 deaths on the side of the royalists. William led the defence of the castle while Falkes fled to safety. Bedford Castle’s garrison surrendered on 14 August and all of them, including William, were swiftly executed.

A drawing from Matthew Paris’ Chronica Majora showing the execution of Bedford Castle’s garrison. Chronica Majora, II, fol. 60 (public domain).

With Falkes asking Henry III for forgiveness, the king had all the power to decide what to do next. He could give Bedford Castle to William de Beauchamp, the previous owner who had been seeking its return for years. He could keep it under direct royal control, or he could slight it – unmaking the castle expanded by Falkes. Henry III chose the destructive option: royal records show that the tower was levelled, the ditches filled, buildings in the outer bailey demolished, and the walls of the lesser bailey lowered. This amount of detail in the historical record is unusual, and where we do have details of castle slighting they are often much more brief and may just cover how much was spent.

Excavations between 1969 and 1972 found evidence of the castle’s destruction, with plenty of rubble strewn across the site. They also showed that the motte was lowered, which wasn’t mentioned in the royal records. The slighting of the castle was an especially destructive event. There are many other castles which were slighted where the destruction was less extensive, or the castle later repaired and rebuilt. At Bedford, that was never an option.

With no allies left, a wife seeking divorce, and having turned over all his lands to royal control, Falkes went into exile. Henry III did eventually grant the castle to William de Beauchamp on the condition that only an unfortified house could be built on the castle.

The destruction of Bedford Castle was a high-profile way for Henry III to reassert his authority after having been challenged by Falkes de Breauté. In the Middle Ages, not every slighted castle was the result of a royal order, but they were the majority. Visiting Bedford Castle today, there isn’t much to see, but in the early 13th century it was a strong stone-built fortress. Its destruction emphatically marked Falkes’ fall from power.

For many slighted castles we often only have archaeological or documentary evidence; at Bedford we are lucky enough that they coincide so we can confirm the documented events took place and give context to the evidence of destruction on the ground.

For more on slighting generally, you can read Richard’s paper in The Archaeological Journal.

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A large and eclectic crop of fascinating applications for the Castle Studies Trust to consider

The deadline for grant applications passed on 1 December. We’re going through the various projects now. Altogether the 12 projects, coming from the UK, Ireland and even one from Greece, are asking for £88,000. They cover not only a wide period of history but also a broad range of topics.

We will not be able to fund as many of these projects as we would like. To help us fund as many of these projects as possible please donate here: https://donate.kindlink.com/castle-studies-trust/2245.

In a little more detail here are the applications we’ve received:

Bedrule, Roxburghshire: The project aims to advance understanding of the role of the castle in the evolution of a well-defined rural community in SE Scotland between the 14th and 16th centuries using a variety of sources including archival research, LiDAR and GIS data analysis.

Berkeley, Gloucestershire: Using a variety of techniques including drone survey and archival research to understand the structure of the castle’s twelfth century shell keep, and then to develop a reconstruction drawing of what it could have looked like at that time.

Cavers Castle, Roxburghshire: Archaeological assessment of earthworks and early castle remains at Cavers Castle, Roxburghshire, which stands as a part-demolished ruin, using a variety of techniques such as geophysical survey, review of documentary and cartographic evidence and LiDAR.

Dating medieval towers in the hinterland of Medieval Chalkida, Greece: Stand-alone medieval towers, often part of castles or larger fortifications, are common in Central Greece. Often thought to have been built by the Frankish nobility during their period of dominance between 1204-1470, there is minimal evidence to back this up. By taking wood and mortar samples, the project aims to answer that question.

Dunoon, Argyll: The project will conduct a geophysical survey of Dunoon Castle mound and its immediate environs to determine the extent, nature and character of buried archaeological remains and will also provide signage to help illustrate what was found.

Galey, Co. Roscommon: Geophysical and topographical surveys to explore the possible motives behind the placement of, as well as  immediate landscape context, morphology and any attached settlement and industrial activity, that occurred at a lakeshore-sited late medieval Gaelic-constructed tower house castle.

Kilmacahill, Co. Westmeath: Geophysical survey of deserted medieval settlement close to Jamestown motte & bailey castle. The aim is to understand the morphology of settlement and its relationship with the castle and medieval monastery.

Millom, Cumbria: Geophysical survey of the area surrounding this 14th century castle to try to understand more about the landscape in which it was built.

Pontefract, West Yorkshire: Geophysical survey of the castle focusing on parts of the castle not previously explored by the excavations in the 1980s, especially around the northern ramparts.

Raby, Co Durham: The aim of the project is to improve the understanding of the castle in the medieval period, especially around 1400 in the decades immediately after the licence to crenellate, with a buildings survey and development of a 3D model.

Shrewsbury, Shropshire: To excavate the top of the motte of this important Marcher castle to understand the structural sequence and assess the character and the status of the buildings there. Specifically to identify the royal hall known to be present during the Middle Ages.

Sleaford Castle, Lincolnshire: Geophysical survey of the to context between the castle earthworks and the principal southern road of the town to establish if further remains of the castle exist in this direction (an area heavily during the 19th century) and establish if there were any links to the town other than the established route along Castle Causeway.

We will not be able to fund as many of these projects as we would like. To help us fund as many of these projects as possible please donate here: https://donate.kindlink.com/castle-studies-trust/2245

The applications have been sent to our assessors who will go over them. You can see how the assessment process works from our blog back in January 2016 https://castlestudiestrust.org/blog/2016/01/17/how-the-castle-studies-trust-selects-its-projects/

Analysing the core samples from Caerlaverock harbour

As the team has now finished its field work at Caerlaverock Castle as part of a project to try and understand the impact of climate change on the changing of the location of the castle in the late thirteenth century, they are now testing the samples in their labs. Here, in two short videos, Tim Kinnaird shows what is involved in the luminescence dating process

Testing the sample

Analysing the sample

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Where Power Lies: the archaeology of transforming elite centres in the landscape of medieval England c. AD 800-1200

Between 2018-2021, the Castle Studies Trust awarded Dr Duncan Wright three small grants to research the castle of Laughton-en-le-Morthen. The aim was to develop an innovative new research methodology to understand the near wholesale replacement of existing lords with incoming Norman tenants-in-chief physically showed itself post the Norman Conquest. Here Duncan explains what that has helped lead to.

In October 2021 the Arts and Humanities Research Council (AHRC) awarded Dr Duncan Wright (Newcastle University) an Early Career Research Grant of £200,000 in support of a new archaeological research project.

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Entitled ‘Where Power Lies’, the project will undertake the first systematic examination of the physical evidence for elite centres in the landscape of medieval England between c. 800-1200AD. Many of these high-status places were developed as castles, and the research aims to identify the motivations behind choosing to build a castle at an existing lordly centre, when a site could equally be perpetuated as a manor house or else abandoned altogether.

The success of Duncan’s AHRC bid is partly thanks to the support of the Castle Studies Trust, who funded his research at Laughton en le Morthen (South Yorkshire) with three separate grant awards totalling almost £5000. The work at Laughton, which comprised geophysical and topographic survey, targeted excavation, and the commission of 3D reconstructions, not only helped reveal the complex history of the site but also acted as an important pilot and proof of concept for the new project. Indeed, Where Power Lies hopes to emulate the success of the research at Laughton, and will include some of the same survey techniques, but it will also scale up the focus to look at the national distribution of aristocratic centres with evidence for investment in both church and residential components.

Survey results of geophysical survey of Laughton-en-le-Morthen

After modelling the national picture, the Where Power Lies team will investigate a carefully selected sample of case study sites, which will be subject to topographic, geophysical, and standing building surveys. These investigations will allow us to reconstruct the biography of the case study locations in detail, and to explore how the character and expression of elite power invested in their residential and ecclesiastical complexes evolved over time. Working with the British Museum’s Portable Antiquities Scheme as an official project partner, the research will also produce a new profile of the artefacts of the aristocrats who built and occupied these sites. 

By undertaking this work, Where Power lies will shift the focus beyond the relatively small corpus of excavated aristocratic sites of the period which continue to form the basis of our understanding. Instead, by embracing a range of digital technologies and non-intrusive survey methods, the projectwill create valuable new datasets at a number of scales. By generating this new information, the team will demonstrate how the transformation of power centres occurred on the ground, revealing whether castles integrated earlier components into remodelled layouts, or whether they caused greater destruction and a more fundamental schism with the past.

Excavation at Laughton showing remains of a ditch that ran next to a possible entrance way to the Saxon lordly centre.

The team will be led by Duncan as Principal Investigator, who will be accompanied by Professor Oliver Creighton (Exeter University) as Co-Investigator, and a Research Associate who will join the team for the duration of the project. Duncan would like to take this opportunity to thank the Castle Studies Trust for their generous support of his research at Laughton en le Morthen, which strengthened the AHRC bid significantly. He hopes the results of Where Power Lies will prove of interest to everyone associated with the Trust.

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You can read more about the Laughton-en-le-Morthen project here: https://castlestudiestrust.org/blog/2020/08/25/landscapes-of-lordship-searching-for-laughtons-anglo-saxon-elite/