Category: England

Rethinking Pleshey Castle – new discoveries from old records

Back in 2015 the Castle Studies Trust co-funded the post excavation & publication of Steven Bassett’s excavations 1972-1981 of Pleshey Castle in Essex. In the November 2018 issue of Current Archaeology (334) Patrick Allen explains how the review of the excavation materials has transformed our understanding of the castle and provided new insights into its character and development.

Around 5 miles northwest of Chelmsford in Essex we find a classic example of a motte and bailey fortification. Pleshey Castle offers invaluable insights into constructions of this kind, as while all of its buildings have long been demolished (apart from the late 15th-century brick bridge over the motte moat), its medieval earthworks have survived intact thanks to their never having been rebuilt in stone.

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Its motte is original, dating from c.1100, while the ramparts of the south bailey are largely the result of refortification which took place in 1167. A second bailey to the north of the motte is now buried beneath the modern village, but its original outline can still be seen in Pleshey’s semi-circular street plan and in 1988 was confirmed by excavation. Its defences were levelled in the 13th century and replaced by a much larger town enclosure, whose earthworks still surround the modern village.

Planof the castle shows the keep and buildings in the south bailey with excavation areas in red

Previous descriptions of the castle had assumed that the north bailey was part of the original castle and the south bailey added later – but recent reassessment of all available evidence has transformed this picture completely.

Evolving the castle

What can we unpick about the castle’s origins? Its earliest documentary reference comes from 1143, when Geoffrey II de Mandeville surrendered all his lands, including Pleshey Castle, to King Stephen. Yet scientific research suggests the site is much older. Analysis of topsoil buried beneath the motte, and a calculation of the rate of its formation, suggests that the castle was completed 30-40 years after the Norman Conquest.

As for when construction began, tree-ring dating of a timber from the north bailey palisade provides a date no earlier than 1083, and a construction date of c.1100 seems entirely plausible. This would link the castle’s creation not to Geoffrey II de Mandeville, but to Geoffrey I – a logical conclusion as the core of his extensive estates lay in mid-Essex and Pleshey is close to his chief manor of Waltham (now Great Waltham).

A section through the south bailey rampart shows how its earliest incarnation, as constructed c.1100 (Period 1), still survives at its base. Period 2 reflects the boundary’s englargement and refortification after 1167.

It is also becoming increasingly clear how the fortifications developed; Chelmsford Museums Service has been revisiting unpublished reports from an excavation that Steven Bassett undertook immediately to the south-east of the brick bridge in 1972-1981. Interestingly, a section that he recorded through the outer rampart confirms that the south bailey was also part of the original construction of the castle – that is, Pleshey boasted two baileys from its inception. Within this rampart (which was dated to the later 12th century by previous excavations headed by Philip Rahtz in 1959-1963), Bassett also found traces of a smaller, earlier rampart which had been built up in two stages, suggesting an initial temporary earthwork which was completed after a short interval.

As for later developments, historical accounts record that in 1157-1158 Henry II returned the de Mandeville lands to Geoffrey III on the condition that he dismantled the defences of his castles – but in 1167, Geoffrey’s younger brother William II de Mandeville was given permission to refortify. There is good archaeological evidence for a large-scale restoration of the castle defences after this date, following the same plan as before. Bassett’s excavation uncovered clear signs of a comprehensive clearing out of the moat during this period, and sections recorded by both Bassett and Rahtz (in an early dig) show the south bailey rampart being massively enlarged at the same time.

This, though, was the last major improvement to the castle defences. Its earth and timber fortifications provided sufficient protection against local insurrection, but the castle was not defensible against a major attack, and during the civil war that followed King John’s rejection of Magna Carta it changed hands twice. On Christmas Eve 1215 Pleshey Castle was seized by a detachment of the king’s army, and in the winter of 1216-1217 it was recaptured by the rebel barons – both times it was surrendered without a siege. The castle was militarily outdated, and after it was inherited by the powerful de Bohun family in 1227/1228 it became increasingly important not as a fortification but as their main residence and the administrative centre of a great aristocratic estate.

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Bridges and bailey buildings

Between Pleshey’s refortification in 1167 and the late 14th/early 15th century four successive wooden bridges spanned the motte moat. Traces of these trestle structures were recorded by Bassett as well as in a small trench excavated by Elizabeth and John Sellers. The final development of the south end of the bridge consisted of two stone pier bases which would have supported box-frame timber uprights and, in front of these, a wooden structure supporting massive raked timbers which carried the central span of the bridge over the wet part of the moat.

At the south end of the timber bridge (its late C14 foundations are shown on this plan) was a gatehouse whose uppper space has been identified as the Queen’s chamber described in the building accounts

These strong foundations were needed at the bailey end of the bridge to support the greater load there from the bridge’s superstructure, whose walkway would have sloped steeply from the motte down to the bailey. Meanwhile, the elevation of the outer face of the northern bridge pier shows its solid construction and its continuation to the east to form a retaining wall for the moat. This pier was later reworked to create a latrine in the late 15th century – when the wooden bridge was replaced by a brick one – evidence of this change still survives in the form of an inserted arch and changes to the upper stonework.

This elevation shows the northernmost pier base of the late C14 bridge and the retaining wall to its east (the lower stonework) that shored up the moat. It was rebuilt in the late C15 as a latrine with an arched outlet.

What of other structures? As mentioned before, all of the castle’s buildings have long been demolished, but it is possible to piece together some clues. A plan of the buildings that were present in the south bailey from the 14th century onwards can be reconstructed using evidence from Bassett’s excavations and a 1960s parchmark survey by Elizabeth and John Sellers. Furthermore, the function of some specific buildings can be identified thanks to Pat Ryan’s study of the surviving mid-15th-century Duchy of Lancaster building accounts for the castle.

We are able to locate the chapel at the west end of the bailey, which was excavated by Rahtz in 1959-1963. To the east, the hall is easily identifiable, with its adjoining kitchen, pantry, and buttery. On its north side, storehouses were ranged around a kitchen yard which was accessible from the main gate immediately to the east. To the west of the hall was a range of large private chambers at first-floor level, above a wardrobe and other storerooms. These were a ‘revealing chamber’ (audience chamber), and at the west end of the range lay the ‘King’s chamber’ and, beyond it, the ‘Queen’s chamber’. This relates to the period 1421-1483 when Pleshey became part of the Duchy of Lancaster, the private estate of the Lancastrian kings, and was granted to three successive Queens of England: Catherine of Valois, Margaret of Anjou, and Elizabeth Woodville, the wives of Henry V, Henry VI, and Edward IV respectively.

Bassett’s excavations also recorded part of a stone-built gatehouse at the south end of the bridge, whose upper chamber can be identified as the Queen’s chamber in the building accounts. The gateway and the room to its west, possibly a guard chamber, were surfaced in gravel and mortar, but material found in the demolition rubble indicates that the Queen’s chamber above was much grander, with a floor of Penn-type decorated tiles, painted plastered walls, and leaded glazed windows.

Bassett’s investigations date the completion of the building range along the north side of the bailey to the late 14th century. These buildings would have been constructed by the de Bohuns and completed by Thomas of Woodstock, Duke of Gloucester (the youngest son of Edward III), who married Eleanor, the elder de Bohun heiress. It is she, as Duchess of Gloucester, who would have originally occupied the Queen’s chamber in its initial guise.

Exploring the keep

Our project also reassessed the results of the excavations focusing on the castle keep in 1907 and 1921-1922. There, the original excavators were puzzled by the ‘extreme thinness of the walls’, but we suggest that they should be interpreted as facades built around a timber-framed courtyard structure. The keep’s great hall has been located using its description in the building accounts, while the other ranges are thought to represent chambers with ‘ensuite’ accommodation, each with a fireplace and a privy (which survive as rectangular projections that are open to the interior, and enclosed, respectively).

A reconstructed plan of the keep, with added stair tower, fireplaces/chimneys and latrines

The final renovation of the keep – carried out on the orders of Margaret of Anjou and described in detail in the building accounts for 1458-1459, where the keep is referred to as a ‘tower’ – was finished in brick. The accounts also record that 29 oaks were felled for the work and that most of the money was spent on employing carpenters – confirmation that the keep was mainly built in timber, as suggested above. Two earlier periods of flint facades and additional structures are dated to the mid-13th/mid-14th century and the late 14th century respectively (by comparison of mortar types with well-dated structures recorded in Bassett’s excavations). No doubt the stone and brick facades made an essentially timber structure look more impressive.

The renovation of the keep was completed by building the brick bridge over the moat, probably in 1477-1480, according to Pat Ryan’s study of the building accounts. This was 20 years after the work on the keep itself – perhaps the works were delayed by the Wars of the Roses (1455-1487). The brick bridge is one of the earliest of its type in Europe and, with its wide span, was a very advanced design for its time. By the mid-16th century, though, the castle had become derelict, with the motte mound used as a rabbit warren, and it was sold by Elizabeth I in 1559. Ironically, the brick bridge was preserved only because the Duchy of Lancaster surveyors recommended that it be retained to maintain access to the warren. Today, it still stands as one of the few elements of the castle surviving above ground. Analysis of excavated evidence has enabled us to add much more colour to this picture, and to reconstruct Pleshey Castle’s appearance once more.

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The author would like to thank the following for grants towards the project: the Castle Studies Trust, the Marc Fitch Fund, the Essex Heritage Trust, and the Essex Society for Archaeology and History.

Featured image: Aerial view of Pleshey courtesy of Chelmsford Museums Service

Landscapes of Lordship: Searching for Laughton’s Anglo Saxon elite

In an article that first appeared in Current Archaeology issue 360 (March 2020) Duncan Wright and Samuel Bromage discuss how the two research projects which they undertook at Laughton-en-le Morthen, with CST’s funds, has shown how the siting of castles was influenced by the older patterns of high-status activity in South Yorkshire.

Castles are perhaps the most iconic buildings of the medieval period, which for many are synonymous with feudal warfare and conflict. In spite of this popular perception, the idea that castles were mainly built for military purposes has been questioned for some time, and archaeologists now point to a number of reasons for their construction. In England, even fortifications thrown up in the wake of the Norman invasion are no longer seen purely as tools of martial conquest.

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Instead, it is increasingly clear that earlier patterns of aristocratic life were important, and that the manorial residences of the Anglo-Saxon nobility in particular were chosen for the siting of early castles. Such targeting should not come as a surprise—the Conquest is understood as an exercise in elite regime change, which saw the near wholesale replacement of existing lords with incoming Norman tenants-in-chief. Yet, the way in which this transformation physically manifested is poorly understood. Few relevant sites have been subject to excavation, and where archaeological intervention has taken place it has often been piecemeal or of limited size. The Landscapes of Lordship project seeks to improve this picture, and recent work at Laughton-en-le-Morthen in South Yorkshire, funded by The Castle Studies Trust, offers a case study of archaeology’s potential to reveal more about this fundamental aspect of the Conquest.  

Anglo Saxon Elements

Laughton today is a modestly-sized village in the Rotherham district, perched high on a limestone ridge which offers impressive views, especially westwards towards the Peak District. The historic core of Laughton is focussed around the parish church of All Saints and the adjacent remains of a motte and bailey castle. A visit to the former provides the first hints of Laughton’s early history; an elaborate 10th or 11th-century doorway is located in the church’s north wall, and a similarly-dated grave slab is built into the eastern exterior of the chancel. Inside the church, a triangular-headed opening, a distinctive pre-Conquest form, covers a piscina—a shallow basin used to wash communion vessels. These pieces of stonework indicate the presence of an earlier building at Laughton, decorative fragments of which have been reused in later phases of construction. It is almost certain that this structure too was a church, as stone was almost never used for secular building in early medieval England.

Elaborate C10 or C11 doorway at the parish church.

In 2005 archaeological excavations due east of All Saints also found evidence of pre-Conquest activity, in the form of a circular grain-drying kiln. A significant assemblage of 10th—11th-century pottery was recovered from the excavations, highly unusual finds given that South Yorkshire was largely aceramic at this time. Documentary sources help to provide some context for the excavated material and that found in the church. The Domesday Book records that, prior to the Conquest, Earl Edwin of Mercia had an ‘aula’ or hall at Laughton. Edwin was a leading noble, but also a leading protagonist against the Norman regime. Brother-in-law of Harold Godwinson, Edwin, together with his younger brother Morcar, raised an unsuccessful rebellion against William the Conqueror after the Battle of Hastings. Dispossessed of his extensive lands, Edwin was ambushed and killed three years later.

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Exactly where Earl Edwin’s hall was located in Laughton has long been a mystery, with the popular belief that it lies under the earthworks of the castle. The Landscapes of Lordship project set out to test this idea, firstly through a scheme of topographic and geophysical survey. A detailed topographic model of the castle and the surrounding parts of the village was made using a drone, and earth resistance survey provided a plan of buried features from the bailey and an area of open ground to the south. The results from the combined techniques exceeded even the expectations of the team, identifying a host of important archaeological features. In the bailey, geophysics picked up a number of anomalies which were also detectable as a low earthwork—the size and shape of which is consistent with buildings, and probably represent the centre of Earl Edwin’s hall complex. To the south of the bailey, ditches seemed to form two sides of an enclosure, one side of which was interrupted by the apparent construction of the motte. 

Survey results from the first year of research funded by the CST

Although the project team were confident that these features were related to Edwin’s estate centre, it was decided that a targeted excavation would be best to confirm this conclusion. A second phase of work, also supported by the Castle Studies Trust, was instigated to ground truth some of these findings, with two trial trenches dug over the ditches to the south of the castle. Excavations uncovered a V-profile ditch with a distinctive narrow base, which would have served to locate a wooden palisade, supporting the premise that this was indeed Edwin’s compound. No datable material was recovered from the ditch but the material inside was notably clean and consistent, indicating that infilling had occurred in a short window or perhaps as a single event. Beyond the enclosed area, another more substantial ditch was found—this feature seemed to project southward from the castle and may be part of an enclosure surround the village, the form of which is preserved in the historic street plan.

Hunting the Hall

The Landscape of Lordship investigations, then, support the idea that Laughton was indeed the site of Earl Edwin’s ‘aula’ and other buildings, which were surrounded on all sides by a ditched enclosure enhanced with a palisade. Edwin and his entourage would have had exclusive use of the elaborate stone church, which topographic evidence demonstrates lay within its own small rectilinear churchyard. Outside of this high-status enclave, the find of a drying kiln suggests that Laughton acted as a point for the collection and processing of agricultural produce, potentially from an extensive area. Indeed, Laughton was the centre of a large territory incorporating several later parishes, the component settlements of which are now most discernible by their ‘Morthen’ place-names.

Ditch found during the excavation

At some stage, Laughton’s lordly compound was radically transformed—the palisade fence was taken down and the ditches rapidly filled in; in their place was constructed a massive earthwork motte across the western edge of the enclosure. A kidney-shaped bailey incorporated the most important buildings including the hall, but it is impossible to tell without more investigation whether these were maintained or replaced with new structures. Probably around the same time the settlement to the east of castle and church was surrounded by a rectilinear enclosure, effectively forming an extensive outer bailey of the castle. Such arrangements are not uncommon in England but perhaps the most famous is at Pleshey in Essex, where a semi-circular bank and ditch encircles the village to the north of a motte and bailey castle.

While the nature of the archaeological evidence does not provide absolute dates, the most compelling context for the apparently rapid changes visible at Laughton is the protracted conquest and subduing of northern England in the years following the Norman invasion. Once annexed, Laughton and its estate were quickly subsumed into a large territory given to Roger de Busli who established a centre at Tickhill where a sizeable castle was erected. Given that the main seat of authority lay at Tickhill, it is unusual that Laughton too was furnished with a castle and that it continued to act as an administrative focus at least temporarily. The explanation for Laughton’s perpetuated importance undoubtedly lies in its pre-Conquest past. As an important residence of Earl Edwin, a foremost member of the Anglo-Saxon elite, Laughton’s appropriation was clearly an attempt to assume a recognised place of power. Yet, the drastic overhaul of the site also embodies a conspicuous act of conquest, physically destroying the complex of a central opponent to Norman rule. It is possible that the processes of castle construction in itself was its raison d’être, acting as a material ‘seal’ of new authority in the eleventh-century landscape. Indeed, this may help explain the paucity of medieval finds from the excavation—the castle itself having experienced little or no use, as its primary purpose had already been met by its very building.

The work by the Landscapes of Lordship project has provided a unique insight into Laughton’s past, showing the importance of older patterns of high-status activity in shaping the process of castle siting in South Yorkshire. The project team now intend to employ this approach to further sites and regions, allowing a new archaeology of elite residence, conquest, and regime change to be written.

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Duncan W Wright was Senior Lecturer and Programme Leader of Archaeology and Heritage at Bishop Grosseteste University, Lincoln during the project and has recently been appointed Lecturer in Medieval Archaeology at Newcastle University

Samuel Bromage is a PhD researcher at the University of Sheffield. His doctoral thesis investigates the consequences of the Dissolution for urban development in Yorkshire.

Current Archaeology can be found here: https://www.archaeology.co.uk/

Slingsby Castle: 3D reconstruction illuminating the lost

Bethany Watrous of Experience Heritage examines how her digital reconstruction of the Jacobean manor house at Slingsby Castle sheds light on its original form when first built in the C13.

The ruins of Slingsby Castle, Yorkshire

The mysterious Slingsby Castle in Slingsby Village, North Yorkshire, is a ruin of a 17th century manor built on the site of a 13th century moated castle which survived, at least in part, into the early 17th century. The manor was built for Sir Charles Cavendish II, grandson of infamous Bess of Hardwick, by John Smithson. An earlier design for a manor on the same location was created for Sir Charles Cavendish I by Robert Smythson, father to John (who changed the spelling of the family name). Original architectural sketches for both versions of the manor still exist in the Royal Institute of British Architects’ Smythson Collection.

It was with this evidence, as well as further historical record, that I set about reconstructing both versions of the manor in digital 3D. The intention of this project was multifaceted. The ruins of Slingsby Castle have long been left to decay and the local community was in discussion about whether to put funding into refurbishing the site or allowing it to continue to be reclaimed by nature. Interactive digital models would help to engage the public in the conversation. However, the digital reconstruction would also provide further research about a site with a greatly confused historical record. It would help to tell a story about a significant phase of British architecture and give better insight into the original medieval castle.

The little we know about the original medieval castle comes from historical writings and archival material. A royal license was granted in 1216 for a manor or castle on a site owned by the Wyvilles. It was sold to Ralph de Hastings in 1344 and in the same year, a license was sought to crenellate a structure there1. In 1475 William Lord Hastings was granted permission to “build, enclose, crenellate, embattle and machiociolate”2 and it’s believed that this was the time of the creation of the moat. In 1619, the historian Dodsworth visited the site and described seeing the Hastings’ crest over the gates and a “church within the castle walls”3. The Jacobean manor was likely built on the site soon after Dodsworth’s visit.

There are many theories as to whether the Jacobean manor reused original parts of the castle. The site has not been inspected by modern archaeologists and we were not able to gain access for the purpose of this study. Modern historians disagree on the topic. Some believe no part (including the moat) of the Jacobean manor is medieval, while others have found evidence suggesting otherwise.

3D model of Jacobean manor, by Experience Heritage

19th century historians described what then still remained of the 17th century manor including a wall running along the inside of the moat and “turrets at each angle”4 which some believed to be remains of the medieval bailey walls3 or following the original footprint. Another theory suggests that the original structure was either incorporated in or influenced the development of the basement vaults. On multiple floor plans, attention has been drawn to the irregular nature of the northwest room’s west wall.

1700 plan of the Jacobean design, highlighting the northwest wall ©Hovingham Hall Estate

The earlier, Elizabethan floor plan may give us insight into another piece of the medieval castle. The plan contains all the symmetrical balance of a typical Elizabethan design except for the off-center placement of its gatehouse. During the digital recreation and movement through the 3D model of this plan, the sharp curve of the path from gatehouse to main house was too jarring to ignore. Furthermore, when studying the plan, it became apparent that the manor’s only gatehouse was not meant to be the main entrance. On the opposite side, the main entrance leads over a stepped bridge to a raised terrace, whereas the door into the manor from the garden is hidden to the side of the portico. This suggests that the gate’s real purpose was as a reused medieval ornament for exhibition during progression around the estate. Therefore, Smythson’s floor plan may capture the outline of one part of the original castle.

View of the off-centre gatehouse as part of the 3D model of the Elizabethan design, by Experience Heritage

Bethany Watrous is the director of Experience Heritage which combines her archaeological and digital backgrounds to create engaging, authentic and interactive digital displays, 3D models, film and mobile apps for the heritage sector. Learn more at www.experience-heritage.com.

Featured image copyright of All Sainst Slingsby

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Caus Castle: Unfulfilled Elite Ambitions

Dr Michael Fradley, project lead for the CST funded project on Caus Castle in Shropshire examines one of the main interesting aspects of the project.

Looking back on our work at Caus Castle in Shropshire, funded by the Castle Studies Trust, one of the most interesting elements identified was the post-medieval redevelopment of the site. Given how little field research had taken place prior to our work in 2016, there were many new observations to be made, but the creation of ornamental gardens on the south slopes of the hill hinted at ambitions to develop a new elite landscape.

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At its medieval height, the Corbet family had constructed an extensive castle complex, with views from the motte, great hall and southern wing of the castle bailey looking out across the wide Rea Valley to their hunting forests of the Stiperstone Hills. While these views would still have been important, archaeologically we can see a shift in investment into creating an immediate garden landscape on the sunny, southern-facing slopes of the castle. The shift away from the monumental defences that defined the medieval castle is demonstrated physically through the infilling of the southern ditch of the castle bailey to create a probable broad planting terrace (Fig 1). It seems probable that this process of creating an ornamental landscape at Caus began in the 16th or earlier 17th century, possibly under the Staffords, or more likely under Joan Thynne and her son Thomas.

Figure 1

The use of a digital photogrammetric model of the castle, using imagery collected by a drone-mounted camera, proved invaluable in this stage in identifying that further garden features may have extended further south beyond the original bounds of the castle. A square enclosure, fragments of which had been picked up by the ground topographical survey, was clearly visible on the digital model on the southern slopes (Fig 2). While less clear in function than the garden terrace, this feature would also seem to fit within an expanding garden complex.

Figure 2

While the totality of these garden features would seem small in comparison to earlier and contemporary examples of elite gardens developed around castle sites, as well as former monastic complexes and new country houses, Caus Castle was not a central residence of the Thynne family, which centred on Longleat in Wiltshire, and should also be seen potentially as a work-in-progress as a developing ornamental landscape. If investment had continued at Caus as an elite residence, we could perhaps draw a broad analogy with the development of Powis Castle in terms of a castle revival in the 17th century, in a geographically peripheral location that ornamentally made full use of its south-facing slopes (Fig 3).

 

Figure 3

Elite investment in Caus Castle appears to have ended in the 17th century, and while we are deprived of seeing what it may have become if it an been maintained as an elite residence and associated landscape, that development would have potentially destroyed much of the evidence of the medieval and earlier evidence. This snapshot of a castle in flux in the earlier post-medieval period does, however, make the site that little bit richer archaeologically.

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Caus Castle is on private land and not open to the public

Lincoln Castle Revealed – The 3-D Reconstruction of the 12th-Century Castle

In its latest round of grants the Castle Studies Trust funded an ambitious 3-D reconstruction of the 12th-century form of Lincoln Castle. Project lead, Jonathan Clark, explains the background to and aims of the project.

Lincoln Castle is one of England’s great castle complexes, developed during an initial intense period of use which straddles the Conquest through to the first half of the 13th century.  The reconstruction builds on the work of the recent Lincoln Castle Revealed project, which involved the conservation and repair of the castle fabric and bailey buildings, the creation of a new exhibition space, and provided a wealth of opportunities for research-led archaeology.  The results of the archaeological campaign – which encountered remains from every century from the 1st to the 20th – have greatly enriched the story of the site as a whole.

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Archaeological investigations encountered elements of the Roman fortress and later Roman Upper City, the defensive enclosures of which appear to have shaped future land-use patterns well into the medieval period, including the form of the castle. The west and south Roman walls stood long into the medieval period; indeed, parts of the western defences still stand to the south of the west castle wall. The southwestern corner of the Roman fortress provided the western and southern extent of the castle bailey.

Surveying the Observatory Tower.  While the current external appearance of this tower is entirely due to changes in the 1830s, the interior fabric still retains important evidence as to its earlier form.

The main development of the castle in stone appears to be from the 1080s into the mid 12th century, a period which will be captured by the reconstruction.  This campaign of work included the construction of East and West Gates, the stone enclosure of the bailey, the 12th-century Lucy Tower shell keep, the development of internal ranges against east and west curtain walls, adjacent to the gates, and a hitherto unknown South Gate.  The South Gate position has been identified in the fabric of the south curtain wall, while its appearance has been confirmed by an early draft plan of Lincoln by John Speed, dated to 1607.

The Lucy Tower Motte after the removal of dense vegetation.  The fragmentary masonry remains of a structure can be seen towards the top of the trench.

The investigations also provided valuable new information about the form and development of the main shell keep (the Lucy Tower) and the southeastern tower (known from the early 19th century onwards as the Observatory Tower).  The Observatory Tower, which briefly upstaged the Lucy Tower during the Anarchy years of the early 12th century, was originally detached from the rest of the castle bailey by a substantial ditch.  This ditch featured a stone revetment on the tower side which was carried up to encase the lower part of the mound on which the tower sits.  The tower was subsequently remodelled to serve as gaol tower.  More is now known of the Lucy Tower including the form of the roof, openings and the arrangement of rectangular chamber blocks, or turrets, to the east and west of it.

A segment of the interior wall face of the Lucy Tower.  The small sockets are putlog holes, while the large blocked sockets housed timbers that joined with a timber ring-beam.

The remains of the main castle hall and various service buildings were also investigated as part of the Lincoln Castle Revealed project.  Their positions are now accurately plotted within the castle bailey and these buildings are being added to the 3-D reconstruction.

A book on the archaeological discoveries from the project is forthcoming but the 3-D reconstruction will allow all to visualise an explore Lincoln Castle at its zenith.   The reconstruction is being prepared by Pighill Archaeological Illustration advised by the Lincoln Castle Revealed archaeological team.

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All pictures in this article are copyright of the author of the article Jonathan Clark

Marlborough Castle: the missing keep

Over the last two decades, the Marlborough Mound Trust has carried out extensive conservation and investigations on the ‘mound’ in the grounds of Marlborough College. The origins of the mound were uncertain until recently. It was known to have been part of Marlborough Castle, but there had been persistent speculation, on the strength of its resemblance to neighbouring Silbury Hill and the discovery of antlers in the early twentieth century (now lost) that it was of prehistoric origin. In 2008, when Silbury Hill was being investigated, the opportunity of taking cores from the mound to obtain comparative dates presented itself. After a precarious operation involving a very large crane, the necessary drilling rig was hoisted to the top of the mound. The resulting cores, as a paper published the following year by Jim Leary and his colleagues showed, supported a date in the second half of the third millennium BC, broadly contemporary with Silbury Hill.

The drilling rig for the coring operation is hoisted into place (copyright Marlborough Mound Trust)

Jim Leary has subsequently carried out a survey of some fifty castle mottes, looking for other sites where prehistoric mounds could have been reused as the base for a castle, and has found only one other rather uncertain case. This means that Marlborough may be unique in being a prehistoric structure recycled into a medieval castle.

But we now know more about the prehistory of the mound than the supposed castle keep. The only possible sighting of masonry on the mound is uncertain in the extreme. H. C. Brentnall, a master at Marlborough College, in one of his many contributions to the Proceedings of the College’s Natural History Society on the the history of the castle, had this to say in 1936:

“Excavations necessitated by building operations at Marlborough College in the course of this summer have revealed several traces of the medieval castle which perished gradually between the fifteenth and seventeenth centuries. What little remains above ground (if the elevation justifies that expression) is to be seen on the summit of the motte, where a buttress of the keep was laid bare some years ago.“

The note implies that the buttress was visible in 1936, but recent geophysical surveys have not found it.

The problem is further compounded by the subsequent use of the mound. It became a garden feature in the seventeenth century, and a spiral was cut into the side of it to give access to a summerhouse at the top. Stukeley’s engraving of the countess of Hertford’s gardens in 1723 shows only the summerhouse, and no traces of masonry.

Stuckley’s engraving of countess of Hertford’s gardens.

About the same time, a water tank was installed to supply the Hertfords’ newly built mansion. This was enlarged by the College after its establishment in 1843, and adapted over the years, until the top of the mound was graced by a large iron tank surrounded by a spoil bank, concrete steps, and substantial pipework. This meant that in effect most of the original top of the  mound had been destroyed.

This raises the question of what we are looking for. The earliest mentions of the site, in 1070 and 1110, present the king’s establishment as a place of imprisonment and a site where a royal court was held. In the 1140s, Marlborough castle is first mentioned as such. It is described ‘very defensible’ in The Deeds of King Stephen. It was held by John Marshal, who used it to control the surrounding countryside, and there is no record of it ever being attacked.

The only entry in the plentiful records for the castle under Henry II and Henry III is in the context of payments in 1222 for work designed to create a substantial royal residence there. This is a single sum for the building of a lime kiln ‘for the Great Tower’, which must therefore have been of stone. There is no indication where this tower was sited, and it may well have been part of the lower bailey. It has simply been assumed that it was on the mound.

An inconclusive exploratory dig was carried out by Wessex Archaeology for the Mound Trust in 2019, and at the time of writing, it is still hoped that a follow up to this will be possible in 2020. The present assumption is that the mound was among the hastily erected timber forts from immediately after the Norman conquest, and that this was replaced by a stone keep after 1222. It would be good to be able to find some actual evidence as to the nature and even the existence of the keep at Marlborough.

Richard Barber is a trustee of the Marlborough Mound. He would welcome any comments, particularly on the replacement of timber with stone, and the nature of ‘great towers’: email rwbarberuk at yahoo.co.uk.

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Kirkby Fleetham Castle- Hidden Hunting Lodge in the Vale of York

The earthwork site at Kirkby Fleetham just to the east of the A1 near Bedale in North Yorkshire is generally taken to be the hunting lodge given a licence to crenellate for Henry Le Scrope in 1308. However, recent finds in an adjacent domestic garden together with a reappraisal of the surviving documentary evidence give a more nuanced picture of life at the site.

Work in the garden of a house directly to the north east  in Spring 2019 has located the foundations of a coursed rubble stone wall approximately  1.3 metres wide with a series of looped windows, an internal mortar floor and traces of external white rendering. Traces of a cobbled yard have also been identified running between it and the castle earthworks to the south west. It has yielded a range of pottery including body sherds from Humberware jugs of the 14th Century along with several sherds of Cistercian ware from the early 16th Century. What is also significant is the volume of material dating to the Late 11th/12th Century including Coarse Sandy Gritty Wares from the York Area.

C14 Humberware Pottery

In terms of the castle remains two sections of stone revetment for a moat survive otherwise  the site consists of two earthwork enclosures one slightly higher than the other surrounded by the drained site of two large artificial lakes running to the west and north west. The unseasonable dry weather in Spring 2020 allowed for a number of clear stone building platforms to appear marked in the vegetation. These suggest a peripheral curtain wall surrounding the inner mound with a series of buildings leading off it. Erosion by rabbits in the outer enclosure reveals a series of cobbled surfaces with sherds of pottery from further south in the Vale of York dating from the 12th through to the 14th Centuries. A series of building platforms clearly track off into neighbouring gardens including the one where the recent discoveries have been made.

Wall excavated in garden next to Kirby Fleetham castle

The documented history of the site together with the surviving pottery suggests a much longer period of occupation than has previously been suggested. The Domesday Book tenant is referred to as Odo the Chamberlain of the Duke of Brittany with references to his former holding throughout the documentary record in the 12th Century. In the mid to late 13th Century the owner is referred to as Sir Henry Fitz Conan who had a licence for a park awarded in 1271. The decline of the site is poorly documented although there is evidence of continued occupation into the early 16th Century and the documents show it held as a hunting lodge by Lord Grey of Codnor in 1417 when the estate was briefly forfeited by the Scropes.

In terms of the building in the adjacent garden, its design and location suggest a half-timbered superstructure above a stone basement and from its location a court house or similar use such as survives at Danby in the North York Moors can be hypothesised.

For more information about the excavation please contact Erik Matthews on rubyna dot matthews at btinternet dot com

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All photographs copyright Erik Matthews.

A castle in context: exploring the settlement context of Castle Pulverbatch

Giles Carey project lead for the Castle Pulverbatch survey, funded by the Castle Studies Trust,  presents an overview of the wider settlement context for the motte and bailey at Castle Pulverbatch, central Shropshire.

“It is a truism that medieval castles ‘dominated’ their landscapes. But this apparently simple statement obscures, and indeed misrepresents the many and varied ways in which castles were both embedded in the medieval landscape and contributed to its evolution and character.” (Creighton and Higham, 2004: 5).

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Pulverbatch is a village situated in central Shropshire, about 13km southwest of Shrewsbury on a minor road from Shrewsbury to Wentnor. The modern village is formed of two distinct centres, with a small nucleated settlement around the church (Church Pulverbatch, known as ‘Churcheton’, then Churton since at least the 13th century (Gaydon, 1968: 138)), and Castle Pulverbatch lying c.1km to the SW. One of Shropshire’s best-preserved motte and bailey castles is situated on the edge of a small steep-sided ridge at the southern end of the village (figure 1).

Figure 1. The immediate area around Castle Pulverbatch. Probable medieval ridge and furrow ploughing (plotted after Stillman 1980) is superimposed on a LiDAR image – much of this has been removed by more recent ploughing, though traces can be still seen in the field at the top of the image – just north of the village. LiDAR data collected for the Stiperstones and Corndon Landscape Partnership Scheme. © Giles Carey

The castle comprises a roughly circular motte, with a base diameter of 35m standing up to 8m high, constructed on the edge of a ridge to make the best use of the natural topography. A substantial ditch 7m wide and 2.6m wide, with a counterscarp bank 4m wide and 0.8m high, separates the castle motte from the flat ground to the west. The inner bailey, situated to the north-east of the motte, is roughly rectangular in plan. It measures 28m north-east to south-west by 30m south-east to north-west. Around its north-west and north-east sides, the bailey is defended by a substantial bank up to 10m wide and 4.2m high on its outside, 1.5m high on its inside. The south-east side of the inner bailey is not defined by a bank but makes strategic use of the natural topography to provide a defendable location. The outer bailey, standing to the west, is, by contrast, defined by much slighter defences. This difference in construction has been suggested as indicating a two-phase construction for the site, with the outer bailey representing the enlargement of a compact and strongly defended initial structure (Stillman, 1980: 3). The outer bailey extends 80m north-south by 40m east-west. A defensive bank up to 6.5m wide and 1.4m high runs along its north-west side, defining a deep hollow-way which runs adjacent to the field boundary in this location.

Figure 1: Castle Pulverbatch in context. 1. Motte and bailey; 2. Possible medieval settlement; 3. Church of St. Edith. © Aerial Cam, 2017.

Strategically, the castle occupies a dominant location on the edge of a spur extending south from the village of Castle Pulverbatch. From the top of the motte, views run along the valley of the Churton Brook, and cover the road network (figure 2). It has been suggested that the castle could have provided a control point over “the route from hill country to the Severn valley, perhaps levying a toll on traffic” (Stillman, 1980: 18).

Castle Pulverbatch is typical of rural earthwork castles in Shropshire and the wider Marches. It appears to form an outlier for a concentration of 12 similar motte and baileys in the Vale of Montgomery, from Montgomery in the south-west to Caus in the north-east (Cathcart King and Spurgeon, 1965). These small, rural castles have a number of key characteristics – mottes with a very restricted top, which would have been capable of carrying only a small structure – a ‘blockhouse or pill-box’ as Cathcart King and Spurgeon refer to them, overlooking strategic points on the road network. Pulverbatch certainly meets this criterion – it’s motte ‘dominates’ routeways at the northern approaches to the Long Mynd and the western flank of the entrance to the Stretton Valley.

Figure 3. Key sites mentioned in the text: 1 – Castle Pulverbatch (HER PRN 01051); 2 – Possible tenement plot, Pinfold’s Close and medieval settlement (HER PRN 03703); 3 – mill site (HER PRN 03704); 4 – Church of St Edith, within circular churchyard (HER PRN 33037); 5 – earthwork enclosure (HER PRN 03702); 6 – Motte and bailey at Wilderley Hall (HER PRN 01052). Derived from sketch survey by Nigel Stillman (1980) with additional detail added from LiDAR imagery. © Giles Carey

In 2017-2018, The Castle Studies Trust, and the Shropshire Archaeological and Historical Society provided grant-funding for geophysical surveys on the site, together with a level 2 earthwork survey using photogrammetry (Donaldson and Sabin, 2017; Stanford, 2017; Ashby, 2018). The results of this work were informative, and suggestive of a substantial building, measuring 22m by 18m in the inner bailey. Background research, however, drew attention to the wider landscape. It soon became clear that the story of the castle would only be ever half-complete if one focused on the earthworks and buildings of the inner and the outer bailey. The inter-relationship between the motte and bailey, its associated settlement and the parish church of St. Edith was evidently worthy of further exploration (figure 2).

Castle, settlement and church

Pulverbatch is first mentioned in the Domesday Survey of 1086 when it appears as ‘Polrebec’. The name derives from Old English, a combination of pulfre of unknown meaning and bǣce meaning stream valley (Gelling 1990, 245–7). At Domesday, the manor of Pulverbatch, combining both modern settlements of Church and Castle Pulverbatch, was held by Roger Venator [The Hunter]. Roger Venator was a tenant of Roger de Montgomery, Earl of Shrewsbury. Along with his brother Norman, he was a huntsman for the Earl and was consequently granted land in the Shropshire forests. He also held nearby Wrentnall.

Domesday records Pulverbatch as comprising two hides of land which paid tax, and there was land for five ploughs: two ploughs in the lordship with four slaves, while seven villagers had a further three ploughs between them. There were also two ‘radmans’ [riding men – the lord’s servants] in the manor. There was enough woodland for the fattening of 100 pigs. Before 1066, the manor had been worth £6 in tax; that had dropped to 20s in 1066, but by 1086its value had risen  to 30s (Eyton 1854, 189).

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The evidence suggests that the castle was built towards the end of the 11th century, either by Roger Venator or his son, also called Roger. Castle Pulverbatch is one of eighteen or more earthwork castles in south-west Shropshire that were built by the first Norman lords installed by Roger de Montgomery, himself one of three key lieutenants installed by William the Conqueror following rebellions in the Welsh Marches in the later 1060s. Documentary sources refer to the castle still being occupied in 1205, but there is no trace of a manor-house here in documents of 1292 (Gaydon 1968, 131).

Another motte and bailey lies 1.2km to the south-east, north of Wilderley Hall Farm (Figure 3, site 6), which at Domesday was held by another minor tenant of Roger of Montgomery, Hugh Fitz Turgis (Eyton 1854, 258). Probably, like Castle Pulverbatch, Wilderley was positioned strategically to command a route running northwards from the Long Mynd towards the Severn Valley (Gaydon 1968, 132). Little is known about the  history of Wilderley so establishing any chronological link between the two castle sites remains challenging.

In 1254 Philip Marmion was granted the right to hold a weekly market at Pulverbatch on Mondays, and an annual three-day fair around the day [16th September]of St Edith the Virgin’, to whom the church in Church Pulverbatch was dedicated (Eyton 1858, 197).

At an inquest on the death of Philip Marmionon January 14 1292, his estate at Pulverbatch included a ‘capital messuage [house, yard, outbuildings and land], a carucate of arable land, and two acres of meadow. A Mill realised 30s…’ (Eyton 1858, 199). The latter was presumably on the site indicated by slight earthworks in a field identified on the tithe map as Upper Mill Meadow (Figure 3, site 3).

There is no clear dating evidence concerning settlement at Pulverbatch. The chronological picture is further complicated by the suggested early date for a church at Church Pulverbatch (Figure 3, site 4). The present building is medieval in origin, although it was largely rebuilt in 1853 (Newman and Pevsner 2006, 203–4). (A lovely watercolour of the pre-19th century form of the church is held by Shropshire Archives, and a small version can be accessed via their online catalogue: https://www.shropshirearchives.org.uk/collections/getrecord/CCA_X6001_19_372B_4)

Figure 4 – 2nd edition 1:2500 Ordnance Survey map of 1903, showing suggested extent of settlement to immediate NE of the Castle site.

The church lies within a circular, embanked churchyard, which has been suggested as indicating an early, possibly pre-conquest origin, drawing upon other examples from the Marches (Rowley 1972, 81), although this hypothesis is untested in the county (see Ludlow 2009, 71-76 for discussion of examples from south-west Wales). A number of other circular churchyards are known in Shropshire (Cardeston, Stanton upon Hine Heath, Llanymynech, Loppington and Leighton, inter alia), but the importance of that at Pulverbatch is heightened by the presence of additional earthworks to the north of the churchyard, occupying a high point within the wider landscape (Figure 2, site 5).

A number of authors have speculated about the development of the medieval settlement sited immediately north and west of the castle (figure 4). Little earthwork evidence survives of this settlement, although a slight bank was recorded in the 1980s by Stillman on a triangle of land known as Pinfold’s Close, directly to the north of the castle’s outer bailey. This triangle was suggested as a possible plot division (see Figure 2, site 2) and subsequently recorded as a property/field boundary by Wendy Horton on a site visit in 1991 (Shropshire HER PRN 03703). Sadly, this area has been extensively disturbed since then, and little trace of any earthworks was found during the 2017-2018 survey work.

Higham and Barker see the village ‘growing up around a castle founded in previously open countryside’ (Higham and Barker 1992, 200) while Rowley suggests that its regularity indicates a deliberately planned settlement unit laid out by the lord of the manor in the 12th or 13th century (Rowley 1972, 86). Creighton goes further in identifying the development at Castle Pulverbatch as representing a nucleation point, “a regular settlement” growing up adjacent to the “new seigneurial centre” (Creighton 2002, 203). This would accord well with the manor of Pulverbatch becoming the caput baroniae, or principal manor of the baronry of Pulverbatch by the end of the 12th century (Gaydon 1968, 131). Stillman suggests that the settlement around the castle may have been a fairly speculative endeavour from the lord of the manor that was ultimately unsuccessful, with settlement shifting downhill to the modern settlement at Church Pulverbatch (Stillman 1980, 18). There is no evidence of the settlement at Castle Pulverbatch ever expanding into ‘anything more than a small farming community’ (Gaydon 1968, 132).

This relationship between the development of a settlement, and the development of a castle site has been little explored in the region. Whilst the extensive work at the motte-and-bailey site of Hen Domen in the 1970s revolutionised our understanding of the likely former structural complexity of timber castles in general (Higham and Barker, 1972), there has been little opportunity to further investigate the significant group of motte and bailey castles in the Vale of Montgomery and SW Shropshire, including inter-relations between settlements and castle.

Some of these complexities can be seen at the site of Caus Castle, was subject to a detailed programme of earthwork and geophysical survey in 2016, also funded by the Castle Studies Trust (Fradley and Carey, 2016). Although a castle of quite different status, size and setting to that at Pulverbatch, work here provided evidence of a castle, borough, market (and later fair) in states of flux, and indicated that the fortunes of the castle and the fortunes of the town were not always aligned.

A number of other small, earthwork castles in this part of the march would repay such further study. We might think  the  castle at More, for instance. A motte and bailey castle developed here from an earlier ringwork castle, with its associated earthwork remains of a deserted settlement, with the remains of house plots and toft boundaries (figure 5).

Figure 5 – Hachure plan of More Castle, scale 1:1250. © Shropshire Council Archaeology Service / Hannaford and Sylvester, 2015.

Non-intrusive landscape survey, as funded by the Castle Studies Trust, allows us to place these sites in some context, and allows a glimpse at the bigger seigneurial, tenurial and topographic picture of these earthwork castles.

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Featured image Castle Pulverbatch bailey from motte top.

Bilbliography

Ashby, D., 2018. ‘Castle Pulverbatch, Shropshire: Ground Penetrating Radar Report’, unpublished report, ARCA, University of Winchester.

Carey, G., 2018. Capturing the Castle: recent survey work at Castle Pulverbatch Motte and Bailey, Shropshire, Transactions of the Shropshire Archaeological and Historical Society 93 pp.31-44

Cathcart King, D. and Spurgeon, C., 1965. ‘The Mottes in the Vale of Montgomery’, Archaeologia Cambrensis 114 pp.69–86.

Creighton, O. and Higham, R., 2006. ‘Castle studies and the ‘landscape’ agenda’, Landscape History 26 pp.5–18

Creighton, O. H., 2002. Castles and Landscapes. London: Continuum

Donaldson, K., and Sabin, D., 2017. ‘Castle Pulverbatch Motte and Bailey, Shropshire: earth resistance & magnetometer survey report’, unpublished report, Archaeological Surveys Ltd., report no. J708. Shropshire HER ESA 8253.

Eyton, R., 1854. Antiquities of Shropshire Volume 6. London. John Russell Smith.

Fradley, M. and Carey, G., 2016. ‘Archaeo-topographical survey: Caus Castle, Westbury — a preliminary report’, unpublished report. Shropshire HER ESA 8179.

Gaydon, A. (ed.), 1968. The Victoria History of Shropshire: Volume VIII. London. Oxford University Press.

Gelling, M., 1990. The Place Names of Shropshire. EPNS, Vols. LXII/LXIII (Part One).

Hannaford, H., and Silvester, R., 2015. ‘Desk-based studies of four castles in the Welsh Marches: Castle Pulverbatch, More Castle, Wilmington Castle & Hyssington Castle’, unpublished report, SCAS, report no. 371. Shropshire HER ESA 7514.

Highham, R. and Barker, P., 1992. Timber Castles. Exeter: University of Exeter Press

Ludlow, N., 2009. Identifying Early Medieval Ecclesiastical Sites in South-West Wales In: Edwards, N. (ed.) The Archaeology of the Early Medieval Celtic Churches London: Routledge, pp.61–84.

Pevsner, N. and Newman, J. 2006. Buildings of England: Shropshire. London: Yale.

Rowley, T. 1972. The Shropshire Landscape. London: Hodder and Stoughton.

Stanford, A., 2017. ‘Castle Pulverbatch Processing Report’, unpublished report, Aerial Cam, report no. C-P-01042017.
Shropshire HER ESA 8254.

Stillman, N., 1980. ‘Castle Pulverbatch: a field survey of a motte and bailey earthwork in Shropshire’, unpublished report, University of Birmingham. Shropshire HER ESA 1137.

Thorn, F., and Thorn, C. (eds), 1986. Domesday Book: Shropshire. Chichester

Gleaston Castle: On the edge of collapse – an attempt at rescue

In 2018 Historic England commissioned reports to be carried out on Gleaston Castle near Ulverston, where the Castle Studies Trust have previously funded a survey of the site. The reports commissioned by Historic England were led by Chloe Granger of Crosby Granger Architects, and included a condition survey and concept feasibility study. The feasibility study was aimed at reviewing any potential repair and/or development that could allow the site to become sustainable.

Formerly, in 2015 the Castle Studies Trust grant-funded preparatory works at Gleaston Castle that included a Conservation Statement, geophysical surveys and 3D imagery, to begin the process of understanding more about the castle and its development. From this initial research, the follow-up condition survey and feasibility study prepared by Chloe and her team sets the scene for future repair works and lays the foundations for a potential sustainable future.

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Gleaston Castle, listed Grade I and Scheduled under the Ancient Monuments and Archaeological Areas Act, is located on the Furness Peninsula, Cumbria in what appears to be a remote location and strange position for a fortified castle. It is an enclosure castle dating to the 14th century, now a ruin, and has been recorded as such since the mid-16th century. The location on the Furness Peninsula would have historically been less remote, as access was via boat or by crossing the sands of the Morecambe Bay estuary at low tide – a mere short walk.

Gleaston Castle: south east tower interior. Copyright Chloe Granger

The exact date of construction of Gleaston Castle is not known; it was almost certainly built by John Harrington (knighted in 1306) and marked a move from the earlier coastal manorial residence at Aldingham, which had passed to the Harringtons in 1291, possibly in part prompted by early-14th century Scots raids. A date of c1325 is sometimes quoted although the earliest documentary reference is in the 1350s; several sources suggest that it was never finished. It appears to have been abandoned as a manorial residence after the death of Sir William Harrington in 1457 and c1540 it was recorded by Leland as lying in ruins, although some parts may have been re-occupied in the 17th century.

Gleaston is the probably nearest approach to a ‘quadrangular’ castle of a type more common in the North East, and typical of the earlier 14th century. It is not an exact rectangle in plan – the enclosure, 80 m in length north to south, narrows from 55 m at the north end to 45 m at the south. It has had corner towers, with the north-western, by far the largest, clearly containing the hall and subsidiary apartments.

Gleaston Castle: Great Hall from south east tower. Copyright Chloe Granger

The ruinous remains of the castle are in private ownership, incorporated into a working farm, which makes access difficult for the visitor. The structures are in a perilous condition, with falling masonry not an uncommon sight. General vegetation and rigorous ivy are the main culprits. The ivy on the south-east tower is known to Historic England as the largest, most substantial and ancient ivy known on a structure in the country. The scale of the issue is enormous. There is no management plan and no funding to enable a comprehensive strategy of repair to be carried out to safeguard the structures.

Gleaston Castle: entrance to sw tower. Copyright Chloe Granger

Through Chloe, the Society for the Protection of Ancient Buildings (SPAB) have become involved and are planning a working party to begin to make a start on rescuing the castle. It is a colossal task, but the aim of the working party will be to raise awareness and put Gleaston castle on the map, which the team hopes will generate support for the cause. The volunteer working party team is hoping to carry out some initial vegetation clearance and some consolidation, with professionals offering their time pro-bono; the first required are an ecologist and an arboriculturalist. The initial working party is planned for September,

If anyone is interested in either contributing time or funds, your support would be greatly appreciated! For more information contact Chloe Granger on chloe at crosbygrangerarchitects dot co dot uk 

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Featured image: Gleaston Castle from the West and where its main entrance was. Copyright Chloe Granger.

Eleanor of Aquitaine’s impact on English Castles

Sara Cockerill, author of the recently published biography of Eleanor of Aquitaine, looks at her role in English castle development.

One of the areas which has stayed slightly “off-camera” as I have written about Eleanor is the question of her relationships with the castles of her era. The headlining castles built under Henry’s aegis show no signs of Eleanor’s input. More intriguing however, is her relationship with those castles which pre-dated Henry’s reign and which found themselves in need of a bit of TLC – not necessarily from a military point of view, but in order to function as homes as well as defences. Where this sort of work is concerned there seems to be some ground for tracing a link between Eleanor’s regencies and the initiation of refurbishment programmes.

To start with the most obvious example – the Tower. On Eleanor’s first arrival in London the Tower was uninhabitable, and the royal couple had to stay instead at Bermondsey Abbey. While it is clear that Henry II put Thomas Becket in charge of refurbishing the equally run down Palace of Westminster, money does not commence to be spent on the Tower until 1166 – during Eleanor’s regency, suggesting that she had some hand in the decisions as to its refurbishment. Quite what these were is of course a matter of some debate, but they included as well as defensive works, quasi domestic features, such as work to the chapel and living accommodation.


Tower of London Chapel of St John, By Slowking4 – Own work, GFDL 1.2, https://commons.wikimedia.org/w/index.php?curid=34675029

Another castle which came under Eleanor’s review is Berkhamsted – initially given to, and refurbished by Becket, it was transferred to Eleanor,  who held the barony as part of her dower assignment, during the course of Henry’s quarrel with Becket, with the royal family spending Christmas of 1163 there; an event which involved numerous items of plate being sent from Westminster to dress the rooms to best advantage. In the years which follow, again during Eleanor’s regency, there is regular work noted in the accounts, on the “Kings houses” there, at the granary, the bridges – and the lodgings. Her interest in the property is further evidenced by her travelling to stay there as soon as she gained a greater measure of freedom in 1184, with the advent of her daughter Matilda, then in exile from Saxony. Eleanor and Matilda’s family seem to have spent the whole summer there. And finally – work stops on the castle just at the period when Eleanor departs to her retirement in Poitou. However even in retirement her steward for the Berkhamsted estate would travel to visit her at Fontevraud….

Berkhamsted Castle bailey from the motte including remains of buildings built in Eleanor’s regency

Other places where Eleanor was particularly at home and where her interest can be traced are Old Sarum (Salisbury) and Winchester – her main locations during her captivity. But everything suggests that she was sent there not because she disliked them, but rather the reverse. Both are places she positively chose to visit on more than one occasion as regent in the 1150s and 1160s. Winchester, of course, was Henry I’s main residence, and had benefitted from a constant programme of renewals ever since. Interestingly however its domestic architecture was thoroughly overhauled from the year after Eleanor arrived in England. In 1155–6 £14 10s. 8d. was paid for making the king’s house and the next year another £14 10s. was spent for work on just one chamber in the castle. In 1170 £36 6s. was paid, and in 1173 £56 13s. 1d. was paid for work on the king’s houses at Winchester and £48 5s. for work on the castle and provisioning it. Large sums of money were, interestingly paid for the King’s chapel, in the years when Eleanor was a frequent resident there in confinement.  To this period too can be traced the first indications of development of the gardens. Old Sarum for its part had a residential area which was modern, having been built as recently as 1130 under the aegis of the then bishop. During Eleanor’s residence at Salisbury in the 1170s and early 1180s, there was consistent expenditure including £47 on the houses in the year Eleanor came to live there. That Eleanor positively liked Salisbury is shown by the fact that after her release she chose to organise the wedding of André de Chauvigny to the heiress Denise of Déols there; and Winchester too was a voluntary stop for her more then once in her later years.

Old Sarum from the west in C12, (Model: John B. Thorp. Photo: Kurt Kastner)

In a similar category is Windsor castle. Though predominantly a project of Henry’s – the defensive remodelling smacks of his planning – Eleanor spent considerable periods of time here – bearing Matilda here when the castle must have been a building site, and visiting repeatedly both as regent when she may well have had a hand in the development of the domestic buildings, which were to form a family base for her descendant Henry III’s family. Again it is a castle she seems to have positively chosen to visit with Matilda on Matilda’s return, and again following her release.

Although of course Berkhamsted has fallen into disrepair, one can perhaps therefore trace Eleanor’s hand in creating a core of castles which could double as homes, which was to influence the lives of generations to come.

Featured image: Aerial photograph of Old Sarum site, on departure from Old Sarum airfield by Mark Edwards.